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    Chapter 31 - Page 2

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    "an inspired idiot"; but his mirth was soon dashed, for on asking the poet what had become of this Chatterton, he was answered, doubtless in the feeling tone of one who had experienced the pangs of despondent genius, that "he had been to London and had destroyed himself."

    The reply struck a pang of self-reproach even to the cold heart of Walpole; a faint blush may have visited his cheek at his recent levity. "The persons of honor and veracity who were present," said he in after years, when he found it necessary to exculpate himself from the charge of heartless neglect of genius, "will attest with what surprise and concern. I thus first heard of his death." Well might he feel concern. His cold neglect had doubtless contributed to madden the spirit of that youthful genius, and hurry him toward his untimely end; nor have all the excuses and palliations of Walpole's friends and admirers been ever able entirely to clear this stigma from his fame.

    But what was there in the enthusiasm and credulity of honest Goldsmith in this matter to subject him to the laugh of Johnson or the raillery of Walpole? Granting the poems were not ancient, were they not good? Granting they were not the productions of Rowley, were they the less admirable for being the productions of Chatterton? Johnson himself testified to their merits and the genius of their composer when, some years afterward, he visited the tower of Redcliffe Church, and was shown the coffer in which poor Chatterton had pretended to find them. "This," said he, "is the most extraordinary young man that has encountered my knowledge. It is wonderful how the whelp has written such things."

    As to Goldsmith, he persisted in his credulity, and had subsequently a dispute with Dr. Percy on the subject, which interrupted and almost destroyed their friendship. After all, his enthusiasm was of a generous, poetic kind; the poems remain beautiful monuments of genius, and it is even now difficult to persuade one's self that they could be entirely the productions of a youth of sixteen.


    In the month of August was published anonymously the History of England, on which Goldsmith had been for some time employed. It was in four volumes, compiled chiefly, as he acknowledged in the preface, from Rapin, Carle, Smollett and Hume, "each of whom," says he, "have their admirers, in proportion as the reader is studious of political antiquities, fond of minute anecdote, a warm partisan, or a deliberate reasoner." It possessed the same kind of merit as his other historical compilations; a clear, succinct narrative, a simple, easy, and graceful style, and an agreeable arrangement of facts; but was not remarkable for either depth of observation or minute accuracy of research. Many passages were transferred, with little if any alteration, from his Letters from a Nobleman to his Son on the same subject. The work, though
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