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    Chapter 43 - Page 2

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    kindly gave him much of his company. In the course of their interchange of thought, Goldsmith suggested to him the story of Ugolino, as a subject for his pencil. The painting founded on it remains a memento of their friendship.

    On the 4th of August we find them together at Vauxhall; at that time a place in high vogue, and which had once been to Goldsmith a scene of Oriental splendor and delight. We have, in fact, in the Citizen of the World, a picture of it as it had struck him in former years and in his happier moods. "Upon entering the gardens," says the Chinese philosopher, "I found every sense occupied with more than expected pleasure; the lights everywhere glimmering through the scarcely-moving trees; the full-bodied concert bursting on the stillness of the night; the natural concert of the birds in the more retired part of the grove, vying with that which was formed by art; the company gayly dressed, looking satisfaction, and the tables spread with various delicacies, all conspired to fill my imagination with the visionary happiness of the Arabian lawgiver, and lifted me into an ecstasy of admiration."

    [Footnote: Citizen of the World, Letter xxi]

    Everything now, however, is seen with different eyes; with him it is dissipation without pleasure; and he finds it impossible any longer, by mingling in the gay and giddy throng of apparently prosperous and happy beings, to escape from the carking care which is clinging to his heart.

    His kind friend, Cradock, came up to town toward autumn, when all the fashionable world was in the country, to give his wife the benefit of a skillful dentist. He took lodgings in Norfolk Street, to be in Goldsmith's neighborhood, and passed most of his mornings with him. "I found him," he says, "much altered and at times very low. He wished me to look over and revise some of his works; but, with a select friend or two, I was more pressing that he should publish by subscription his two celebrated poems of the Traveler and the Deserted Village, with notes." The idea of Cradock was that the subscription would enable wealthy persons, favorable to Goldsmith, to contribute to his pecuniary relief without wounding his pride. "Goldsmith," said he, "readily gave up to me his private copies, and said, 'Pray do what you please with them.' But while he sat near me, he rather submitted to than encouraged my zealous proceedings.

    "I one morning called upon him, however, and found him infinitely better than I had expected; and, in a kind of exulting style, he exclaimed, 'Here are some of the best of my prose writings; I have been hard at work since midnight, and I desire you to examine them.' 'These,' said I, 'are excellent indeed.' 'They are,' replied he, 'intended as an introduction to a body of arts and sciences.'"

    Poor Goldsmith was, in fact, gathering together the fragments of his shipwreck; the notes
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