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    "Every composer knows the anguish and despair occasioned by forgetting ideas which one had no time to write down."
     

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    Preface - Page 2

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    at least of sanity, one may turn to complacency, one may linger with
    pride. Let my pride provoke a frown till I justify it; which--though
    with more matters to be noted here than I have room for I shall
    accordingly proceed to do.

    Yet I must first make a brave face, no doubt, and present in its native
    humility my scant but quite ponderable germ. The seed sprouted in that
    vast nursery of sharp appeals and concrete images which calls itself,
    for blest convenience, London; it fell even into the order of the minor
    "social phenomena" with which, as fruit for the observer, that
    mightiest of the trees of suggestion bristles. It was not, no doubt, a
    fine purple peach, but it might pass for a round ripe plum, the note one
    had inevitably had to take of the difference made in certain friendly
    houses and for certain flourishing mothers by the sometimes dreaded,
    often delayed, but never fully arrested coming to the forefront of some
    vague slip of a daughter. For such mild revolutions as these not, to
    one's imagination, to remain mild one had had, I dare say, to be
    infinitely addicted to "noticing"; under the rule of that secret vice or
    that unfair advantage, at any rate, the "sitting downstairs," from a
    given date, of the merciless maiden previously perched aloft could
    easily be felt as a crisis. This crisis, and the sense for it in those
    whom it most concerns, has to confess itself courageously the prime
    propulsive force of "The Awkward Age." Such a matter might well make a
    scant show for a "thick book," and no thick book, but just a quite
    charmingly thin one, was in fact originally dreamt of. For its proposed
    scale the little idea seemed happy--happy, that is, above all in having
    come very straight; but its proposed scale was the limit of a small
    square canvas. One had been present again and again at the exhibition I
    refer to--which is what I mean by the "coming straight" of this
    particular London impression; yet one was (and through fallibilities
    that after all had their sweetness, so that one would on the whole
    rather have kept them than parted with them) still capable of so false a
    measurement. When I think indeed of those of my many false measurements

    that have resulted, after much anguish, in decent symmetries, I find the
    whole case, I profess, a theme for the philosopher. The little ideas one
    wouldn't have treated save for the design of keeping them small, the
    developed situations that one would never with malice prepense have
    undertaken, the long stories that had thoroughly meant to be short, the
    short subjects that had underhandedly plotted to be long, the hypocrisy
    of modest beginnings, the audacity of misplaced middles, the triumph of
    intentions never
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