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    Chapter 4

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    All this led her on, but it brought on her fate as well, the day when
    her mother would be at the door in the carriage in which Maisie now rode
    on no occasions but these. There was no question at present of Miss
    Overmore's going back with her: it was universally recognised that her
    quarrel with Mrs. Farange was much too acute. The child felt it from
    the first; there was no hugging nor exclaiming as that lady drove her
    away--there was only a frightening silence, unenlivened even by the
    invidious enquiries of former years, which culminated, according to its
    stern nature, in a still more frightening old woman, a figure awaiting
    her on the very doorstep. "You're to be under this lady's care," said
    her mother. "Take her, Mrs. Wix," she added, addressing the figure
    impatiently and giving the child a push from which Maisie gathered that
    she wished to set Mrs. Wix an example of energy. Mrs. Wix took her and,
    Maisie felt the next day, would never let her go. She had struck her at
    first, just after Miss Overmore, as terrible; but something in her voice
    at the end of an hour touched the little girl in a spot that had never
    even yet been reached. Maisie knew later what it was, though doubtless
    she couldn't have made a statement of it: these were things that a few
    days' talk with Mrs. Wix quite lighted up. The principal one was a
    matter Mrs. Wix herself always immediately mentioned: she had had a
    little girl quite of her own, and the little girl had been killed on
    the spot. She had had absolutely nothing else in all the world, and her
    affliction had broken her heart. It was comfortably established between
    them that Mrs. Wix's heart was broken. What Maisie felt was that she had
    been, with passion and anguish, a mother, and that this was something
    Miss Overmore was not, something (strangely, confusingly) that mamma was
    even less.

    So it was that in the course of an extraordinarily short time she
    found herself as deeply absorbed in the image of the little dead
    Clara Matilda, who, on a crossing in the Harrow Road, had been knocked
    down and crushed by the cruellest of hansoms, as she had ever found
    herself in the family group made vivid by one of seven. "She's your

    little dead sister," Mrs. Wix ended by saying, and Maisie, all in
    a tremor of curiosity and compassion, addressed from that moment a
    particular piety to the small accepted acquisition. Somehow she wasn't
    a real sister, but that only made her the more romantic. It contributed
    to this view of her that she was never to be spoken of in that character
    to any one else--least of all to Mrs. Farange, who wouldn't care for
    her nor recognise the relationship: it was to be just an unutterable and
    inexhaustible little secret with Mrs. Wix. Maisie knew
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