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    Chapter 39 - Page 2

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    Judgment, attributed equally to John
    van Eyck and Roger van der Weyden, - given to the
    hospital in the fifteenth century by Nicholas Rollin
    aforesaid.

    I learned, however, to my dismay, from a sympa-
    thizing but inexorable concierge, that what remained
    to me of the time I had to spend at Beaune, between
    trains, - I had rashly wasted half an hour of it in
    breakfasting at the station, - was the one hour of the
    day (that of the dinner of the nuns; the picture is in
    their refectory) during which the treasure could not
    be shown. The purpose of the musical chimes to
    which I had so artlessly listened was to usher in this
    fruitless interval. The regulation was absolute, and
    my disappointment relative, as I have been happy to
    reflect since I "looked up" the picture. Crowe and
    Cavalcaselle assign it without hesitation to Roger van
    der Weyden, and give a weak little drawing of it in
    their "Flemish Painters." I learn from them also -
    what I was ignorant of - that Nicholas Ronin, Chan-
    cellor of Burgundy and founder of the establishment
    at Beaune, was the original of the worthy kneeling
    before the Virgin, in the magnificent John van Eyck
    of the Salon Carre. All I could see was the court of
    the hospital and two or three rooms. The court, with
    its tall roofs, its pointed gables and spires, its wooden
    galleries, its ancient well, with an elaborate superstruc-
    ture of wrought iron, is one of those places into which
    a sketcher ought to be let loose. It looked Flemish
    or English rather than French, and a splendid tidiness
    pervaded it. The porter took me into two rooms on
    the ground-floor, into which the sketcher should also
    be allowed to penetrate; for they made irresistible
    pictures. One of them, of great proportions, painted
    in elaborate "subjects," like a ball-room of the seven-
    teenth century, was filled with the beds of patients,
    all draped in curtains of dark red cloth, the tradi-
    tional uniform of these, eleemosynary couches. Among
    them the sisters moved about, in their robes of white
    flannel, with big white linen hoods. The other room
    was a strange, immense apartment, lately restored
    with much splendor. It was of great length and

    height, had a painted and gilded barrel-roof, and one
    end of it - the one I was introduced to - appeared
    to serve as a chapel, as two white-robed sisters were
    on their knees before an altar. This was divided by
    red curtains from the larger part; but the porter lifted
    one of the curtains, and showed me that the rest
    of it, a long, imposing vista, served as a ward, lined
    with little red-draped beds. "C'est l'heure de la
    lecture," remarked my guide; and a group of conva-
    lescents - all the
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