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    Ch. 4 - Brook Farm and Concord - Page 2

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    possibility of making such industrial, social, and
    educational arrangements as would simplify economies, combine leisure
    for study with healthful and honest toil, avert unjust collisions of
    caste, equalise refinements, awaken generous affections, diffuse
    courtesy, and sweeten and sanctify life as a whole." The reader will
    perceive that this was a liberal scheme, and that if the experiment
    failed, the greater was the pity. The writer goes on to say that a
    gentleman, who afterwards distinguished himself in literature (he had
    begun by being a clergyman), "convinced by his experience in a
    faithful ministry that the need was urgent for a thorough application
    of the professed principles of Fraternity to actual relations, was
    about staking his all of fortune, reputation, and influence, in an
    attempt to organize a joint-stock company at Brook Farm." As Margaret
    Fuller passes for having suggested to Hawthorne the figure of Zenobia
    in _The Blithedale Romance_, and as she is probably, with one
    exception, the person connected with the affair who, after Hawthorne,
    offered most of what is called a personality to the world, I may
    venture to quote a few more passages from her Memoirs--a curious, in
    some points of view almost a grotesque, and yet, on the whole, as I
    have said, an extremely interesting book. It was a strange history and
    a strange destiny, that of this brilliant, restless, and unhappy
    woman--this ardent New Englander, this impassioned Yankee, who
    occupied so large a place in the thoughts, the lives, the affections,
    of an intelligent and appreciative society, and yet left behind her
    nothing but the memory of a memory. Her function, her reputation, were
    singular, and not altogether reassuring: she was a talker, she was
    _the_ talker, she was the genius of talk. She had a magnificent,
    though by no means an unmitigated, egotism; and in some of her
    utterances it is difficult to say whether pride or humility
    prevails--as for instance when she writes that she feels "that there
    is plenty of room in the Universe for my faults, and as if I could not
    spend time in thinking of them when so many things interest me more."
    She has left the same sort of reputation as a great actress. Some of

    her writing has extreme beauty, almost all of it has a real interest,
    but her value, her activity, her sway (I am not sure that one can say
    her charm), were personal and practical. She went to Europe, expanded
    to new desires and interests, and, very poor herself, married an
    impoverished Italian nobleman. Then, with her husband and child, she
    embarked to return to her own country, and was lost at sea in a
    terrible storm, within sight of its coasts. Her tragical death
    combined with many of the elements of her life to convert
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