The Servant-girl - Page 2

which we believe is a complicated one, but this does not trouble them in the least.

They quarrel a good deal over their love-making, do the stage servant-girl and her young man, and they always come into the drawing-room to do it. They have got the kitchen, and there is the garden (with a fountain and mountains in the background--you can see it through the window), but no! no place in or about the house is good enough for them to quarrel in except the drawing-room. They quarrel there so vigorously that it even interferes with the dusting of the chair-legs.

She ought not to be long in saving up sufficient to marry on, for the generosity of people on the stage to the servants there makes one seriously consider the advisability of ignoring the unremunerative professions of ordinary life and starting a new and more promising career as a stage servant.

No one ever dreams of tipping the stage servant with less than a sovereign when they ask her if her mistress is at home or give her a letter to post, and there is quite a rush at the end of the piece to stuff five-pound notes into her hand. The good old man gives her ten.

The stage servant is very impudent to her mistress, and the master--he falls in love with her and it does upset the house so.

Sometimes the servant-girl is good and faithful, and then she is Irish. All good servant-girls on the stage are Irish.

All the male visitors are expected to kiss the stage servant-girl when they come into the house, and to dig her in the ribs and to say: "Do you know, Jane, I think you're an uncommonly nice girl--click." They always say this, and she likes it.

Many years ago, when we were young, we thought we would see if things were the same off the stage, and the next time we called at a certain friend's house we tried this business on.

She wasn't quite so dazzlingly beautiful as they are on the stage, but we passed that. She showed us up into the drawing-room, and then said she would go and tell her mistress we were there.

We felt this was the time to begin. We skipped between her and the door. We held our hat in front of us, cocked our head on one side, and said: "Don't go! don't go!"

The girl seemed alarmed. We began to get a little nervous ourselves, but we had begun it and we meant to go through with it.

We said, "Do you know, Jane" (her name wasn't Jane, but that wasn't our fault), "do you know, Jane, I think you're an uncommonly nice girl," and we said "click," and dug her in the ribs with our elbow, and then chucked her under the chin. The whole thing seemed to fall flat. There was nobody there to laugh or applaud. We wished we hadn't done it. It seemed stupid when you came to think of it. We began to feel frightened. The business wasn't going as we expected; but we screwed up our courage and went on.

We put on the