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    Lady Book-lovers

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    The biographer of Mrs. Aphra Behn refutes the vulgar error that "a Dutchman cannot love." Whether or not a lady can love books is a question that may not be so readily settled. Mr. Ernest Quentin Bauchart has contributed to the discussion of this problem by publishing a bibliography, in two quarto volumes, of books which have been in the libraries of famous beauties of old, queens and princesses of France. There can be no doubt that these ladies were possessors of exquisite printed books and manuscripts wonderfully bound, but it remains uncertain whether the owners, as a rule, were bibliophiles; whether their hearts were with their treasures. Incredible as it may seem to us now, literature was highly respected in the past, and was even fashionable. Poets were in favour at court, and Fashion decided that the great must possess books, and not only books, but books produced in the utmost perfection of art, and bound with all the skill at the disposal of Clovis Eve, and Padeloup, and Duseuil. Therefore, as Fashion gave her commands, we cannot hastily affirm that the ladies who obeyed were really book- lovers. In our more polite age, Fashion has decreed that ladies shall smoke, and bet, and romp, but it would be premature to assert that all ladies who do their duty in these matters are born romps, or have an unaffected liking for cigarettes. History, however, maintains that many of the renowned dames whose books are now the most treasured of literary relics were actually inclined to study as well as to pleasure, like Marguerite de Valois and the Comtesse de Verrue, and even Madame de Pompadour. Probably books and arts were more to this lady's liking than the diversions by which she beguiled the tedium of Louis XV.; and many a time she would rather have been quiet with her plays and novels than engaged in conscientiously conducted but distasteful revels.

    Like a true Frenchman, M. Bauchart has only written about French lady book-lovers, or about women who, like Mary Stuart, were more than half French. Nor would it be easy for an English author to name, outside the ranks of crowned heads, like Elizabeth, any Englishwomen of distinction who had a passion for the material side of literature, for binding, and first editions, and large paper, and engravings in early "states." The practical sex, when studious, is like the same sex when fond of equestrian exercise. "A lady says, 'My heyes, he's an 'orse, and he must go,'" according to Leech's groom. In the same way, a studious girl or matron says, "This is a book," and reads it, if read she does, without caring about the date, or the state, or the publisher's name, or even very often about the author's. I remember, before the publication of a novel now celebrated, seeing a privately printed vellum-bound copy on large paper in the hands of a literary lady. She was holding it over the fire, and had already made the vellum covers curl wide open like the shells
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