The Chevalier d'Eon

The mystery of the Chevalier d'Éon (1728-1810), the question of his sex, on which so many thousand pounds were betted, is no mystery at all. The Chevalier was a man, and a man of extraordinary courage, audacity, resource, physical activity, industry, and wit. The real mystery is the problem why, at a mature age (forty-two) did d'Éon take upon him, and endure for forty years, the travesty of feminine array, which could only serve him as a source of notoriety--in short, as an advertisement? The answer probably is that, having early seized opportunity by the forelock, and having been obliged, after an extraordinary struggle, to leave his hold, he was obliged to clutch at some mode of keeping himself perpetually in the public eye. Hence, probably, his persistent assumption of feminine costume. If he could be distinguished in no other way, he could shine as a mystery; there was even lucre in the pose.[41]

[Footnote 41: The most recent work on d'Éon, Le Chevalier d'Éon, par Octave Homberg and Fernand Jousselin (Plon-Nourrit, Paris, 1904), is rather disappointing. The authors aver that at a recent sale they picked up many MSS. of d'Éon 'which had lain for more than a century in the back shop of an English bookseller.' No other reference as to authenticity is given, and some letters to d'Éon of supreme importance are casually cited, but are not printed. On the other hand, we have many new letters for the later period of the life of the hero. The best modern accounts are that by the Duc de Broglie, who used the French State archives and his own family papers in Le Secret du Roi (Paris, 1888), and The Strange Career of the Chevalier d'Éon (1885), by Captain J. Buchan Telfer, R.N. (Longmans, 1885), a book now out of print. The author was industrious, but not invariably happy in his translations of French originals. D'Éon himself drew up various accounts of his adventures, some of which he published. They are oddly careless in the essential matter of dates, but contain many astounding genuine documents, which lend a sort of 'doubtsome trust' to others, hardly more incredible, which cannot be verified, and are supposed by the Duc de Broglie to be 'interpolations.' Captain Buchan Telfer is less sceptical. The doubtfulness, to put it mildly, of some papers, and the pretty obvious interpolations in others, deepen the obscurity.]

Charles d'Éon was born on October 7, 1728, near Tonnerre. His family was of chétive noblesse, but well protected, and provided for by 'patent places.' He was highly educated, took the degree of doctor of law, and wrote with acceptance on finance and literature. His was a studious youth, for he was as indifferent to female beauty as was Frederick the Great, and his chief amusements were fencing, of which art he was a perfect master, and society, in which his wit and gaiety made the girlish-looking lad equally welcome to men and women. All were