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    Appendices - Page 2

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    Sir Walter as "the only liberal man in the faction"? Unluckily Keats died, and his death was absurdly attributed to a pair of reviews which may have irritated him, and which were coarse, and cruel even for that period of robust reviewing. But Keats knew very well the value of these critiques, and probably resented them not much more than a football player resents being "hacked" in the course of the game. He was very willing to see Byron and Wordsworth "trounced," and as ready as Peter Corcoran in his friend's poem to "take punishment" himself. The character of Keats was plucky, and his estimate of his own genius was perfectly sane. He knew that he was in the thick of a literary "scrimmage," and he was not the man to flinch or to repine at the consequences.

    APPENDIX II

    Portraits of Virgil and Lucretius.

    In the Letter on Virgil some remarks are made on a bust of the poet. It is wholly fanciful. Our only vestiges of a portrait of Virgil are in two MSS.; the better of the two is in the Vatican. The design represents a youth, with dark hair and a pleasant face, seated reading. A desk is beside him, and a case for manuscript, in shape like a band-box. (See Visconti, "Icon. Rom." i. 179, plate 13.) Martial tells us that portraits of Virgil were illuminated on copies of his "AEneid." The Vatican MS. is of the twelfth century. But every one who has followed the fortunes of books knows that a kind of tradition often preserves the illustrations, which are copied and recopied without material change. (See Mr. Jacobs's "Fables of Bidpai," Nutt, 1888.) Thus the Vatican MS. may preserve at least a shadow of Virgil.

    If there be any portrait of Lucretius, it is a profile on a sard, published by Mr. Munro in his famous edition of the poet. The letters LVCR are inscribed on the stone, and appear to be contemporary with the gem. This, at least, is the opinion of Mr. A. S. Murray, of the late Mr. C. W. King, Braun, and Muller. On the other hand, Bernouilli ("Rom. Icon." i. 247) regards this, and apparently most other Roman gems with inscriptions, as "apocryphal." The ring, which was in the Nott collection, is now in my possession. If Lucretius were the rather pedantic and sharp-nosed Roman of the gem, his wife had little reason for the jealousy which took so deplorable a form. Cold this Lucretius may have been, volatile--never! {11}
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