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    On Hypochondriacs - Page 2

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    carriage, Mr. Arnold observed, with pain, the "almost bloodthirsty clinging to life" of his fellow-passengers. In vain he pointed out to them that even if they were to depart, "the great mundane movement" would go on as usual. But they refused to be comforted. Every man was afraid of meeting his own Muller; and as to the great mundane movement, no one cared a pin. This selfishness is among the chief causes of melancholy. A man persuades himself that he will not live long, or that his prospects in this world or the next are gloomy; or he takes views as absurdly far- reaching as those of the spinsters in the old tale, who wept over the hypothetical fate of the child one of them might have had if she had been married. Now, there is a certain melancholy not unbecoming a man; indeed, to be without it is hardly to be human. Here we do find ourselves, indeed, like the shipwrecked mariner on the isle of Pascal's apologue; all around us are the unknown seas, all about us are the indomitable and eternal processes of generation and corruption. "We come like water, and like wind we go." Life is, indeed, as the great Persian says--

    "A moment's halt, a momentary taste Of being from the well beside the waste."

    These just causes of melancholy and of awe have presented themselves to all reflective men at all times. They deeply affect the thought, so wholesome and so human, of Homer. They express themselves in that old English pagan's allegory of the bird that flies from the dark into the warm and lighted hall, and from the hall into the dark again. Not to be capable of these reflections is to be incapable of tasting the noblest poetry. Such thoughts actually give zest to our days, and sharpen our enjoyment of that which we have only a brief moment to enjoy. Such thoughts add their own sweetness and sadness to the song of the nightingale, to the fall of the leaves, to the coming of the spring. Were we "exempt from eld and age," this noble melancholy could never be ours, and we, like the ancient classical gods, would be incapable of tears. What Prometheus says in Mr. Bridge's poem is true--

    "Not in heaven, Among our easy gods, hath facile time A touch so keen to wake such love of life As stirs the frail and careful being of Man."


    Such are the benefits of Melancholy, when she is only an occasional guest, and is not pampered or made the object of devotion. But Melancholy, though an excellent companion for an hour, is the most exacting and depressing of mistresses. The man who gives himself up to her, who always takes too long views, who broods on the future of this planet when the sun has burned out, is on the high-way to madness. The odds are that he does not travel all the way. He remains a self-tormented wretch, highly profitable to his medical man, and a frightful nuisance to his family. Now, there are, of course, cases in which this melancholy has physical
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