Chapter 8 - Page 2

hair-brush, an' tobacco pouch. What'll it be? Name it an' he'll fetch it."

So immediately and variously did the passengers respond that every article was called for.

"Just one of you choose," the steward advised. "The rest of you pick 'm out."

"Slipper," said Captain Duncan, selected by acclamation.

"One or both?" Daughtry asked.

"Both."

"Come here, Killeny," Daughtry began, bending toward him but leaping back from the snap of jaws that clipped together close to his nose.

"My mistake," he apologized. "I ain't told him the other game was over. Now just listen an, watch. 'n' see if you can catch on to the tip I'm goin' to give 'm."

No one saw anything, heard anything, yet Michael, with a whine of eagerness and joy, with laughing mouth and wriggling body, was upon the steward, licking his hands madly, squirming and twisting in the embrace of the loved hands he had so recently threatened, making attempts at short upward leaps as he flashed his tongue upward toward his lord's face. For hard it was on Michael, a nerve and mental strain of the severest for him so to control himself as to play-act anger and threat of hurt to his beloved Steward.

"Takes him a little time to get over a thing like that," Daughtry explained, as he soothed Michael down.

"Now, Killeny! Go fetch 'm slipper! Wait! Fetch 'm one slipper. Fetch 'm two slipper."

Michael looked up with pricked ears, and with eyes filled with query as all his intelligent consciousness suffused them.

"Two slipper! Fetch 'm quick!"

He was off and away in a scurry of speed that seemed to flatten him close to the deck, and that, as he turned the corner of the deck-house to the stairs, made his hind feet slip and slide across the smooth planks.

Almost in a trice he was back, both slippers in his mouth, which he deposited at the steward's feet.

"The more I know dogs the more amazin' marvellous they are to me," Dag Daughtry, after he had compassed his fourth bottle, confided in monologue to the Shortlands planter that night just before bedtime. "Take Killeny Boy. He don't do things for me mechanically, just because he's learned to do 'm. There's more to it. He does 'm because he likes me. I can't give you the hang of it, but I feel it, I know it.

"Maybe, this is what I'm drivin' at. Killeny can't talk, as you 'n' me talk, I mean; so he can't tell me how he loves me, an' he's all love, every last hair of 'm. An' actions speakin' louder 'n' words, he tells me how he loves me by doin' these things for me. Tricks? Sure. But they make human speeches of eloquence cheaper 'n dirt. Sure it's speech. Dog-talk that's tongue-tied. Don't I know? Sure as I'm a livin' man born to trouble as the sparks fly upward, just as