Chapter 28

A dozen times that morning, dictating to Blake or indicating answers, Dick had been on the verge of saying to let the rest of the correspondence go.

"Call up Hennessy and Mendenhall," he told Blake, when, at ten, the latter gathered up his notes and rose to go. "You ought to catch them at the stallion barn. Tell them not to come this morning but to-morrow morning."

Bonbright entered, prepared to shorthand Dick's conversations with his managers for the next hour.

"And--oh, Mr. Blake," Dick called. "Ask Hennessy about Alden Bessie.-- The old mare was pretty bad last night," he explained to Bonbright.

"Mr. Hanley must see you right away, Mr. Forrest," Bonbright said, and added, at sight of the irritated drawing up of his employer's brows, "It's the piping from Buckeye Dam. Something's wrong with the plans--a serious mistake, he says."

Dick surrendered, and for an hour discussed ranch business with his foremen and managers.

Once, in the middle of a hot discussion over sheep-dips with Wardman, he left his desk and paced over to the window. The sound of voices and horses, and of Paula's laugh, had attracted him.

"Take that Montana report--I'll send you a copy to-day," he continued, as he gazed out. "They found the formula didn't get down to it. It was more a sedative than a germicide. There wasn't enough kick in it..."

Four horses, bunched, crossed his field of vision. Paula, teasing the pair of them, was between Martinez and Froelig, old friends of Dick, a painter and sculptor respectively, who had arrived on an early train. Graham, on Selim, made the fourth, and was slightly edged toward the rear. So the party went by, but Dick reflected that quickly enough it would resolve itself into two and two.

Shortly after eleven, restless and moody, he wandered out with a cigarette into the big patio, where he smiled grim amusement at the various tell-tale signs of Paula's neglect of her goldfish. The sight of them suggested her secret patio in whose fountain pools she kept her selected and more gorgeous blooms of fish. Thither he went, through doors without knobs, by ways known only to Paula and the servants.

This had been Dick's one great gift to Paula. It was love-lavish as only a king of fortune could make it. He had given her a free hand with it, and insisted on her wildest extravagance; and it had been his delight to tease his quondam guardians with the stubs of the checkbook she had used. It bore no relation to the scheme and architecture of the Big House, and, for that matter, so deeply hidden was it that it played no part in jar of line or color. A show-place of show-places, it was not often shown. Outside Paula's sisters and intimates, on rare occasions some artist was permitted to enter and catch his breath. Graham had heard of its existence, but not even him