Chapter 13 - Page 2

mood--one of self-denial, and gentle gladness in all sober things. But, had I been an architect, and had I had to build a church--I do not in the least know how I should have built it--I am certain it would have been very different from this. Else I should be a mere imitator, like all the church-architects I know anything about in the present day. For I always found the open air the most genial influence upon me for the production of religious feeling and thought. I had been led to try whether it might not be so with me by the fact that our Lord seemed so much to delight in the open air, and late in the day as well as early in the morning would climb the mountain to be alone with His Father. I found that it helped to give a reality to everything that I thought about, if I only contemplated it under the high untroubled blue, with the lowly green beneath my feet, and the wind blowing on me to remind me of the Spirit that once moved on the face of the waters, bringing order out of disorder and light out of darkness, and was now seeking every day a fuller entrance into my heart, that there He might work the one will of the Father in heaven.

My reader will see then that there was, as it were, not so much a discord, as a lack of harmony between the surroundings wherein my thoughts took form, or, to use a homelier phrase, my sermon was studied, and the surroundings wherein I had to put these forms into the garments of words, or preach that sermon. I therefore sought to bridge over this difference (if I understood music, I am sure I could find an expression exactly fitted to my meaning),--to find an easy passage between the open-air mood and the church mood, so as to be able to bring into the church as much of the fresh air, and the tree-music, and the colour-harmony, and the gladness over all, as might be possible; and, in order to this, I thought all my sermon over again in the afternoon sun as it shone slantingly through the stained window over Lord Eagleye's tomb, and in the failing light thereafter and the gathering dusk of the twilight, pacing up and down the solemn old place, hanging my thoughts here on a crocket, there on a corbel; now on the gable-point over which Weir's face would gaze next morning, and now on the aspiring peaks of the organ. I thus made the place a cell of thought and prayer. And when the next day came, I found the forms around me so interwoven with the forms of my thought, that I felt almost like one of the old monks who had built the place, so little did I find any check to my thought or utterance from its unfitness for the expression of my individual modernism. But not one atom the more did I incline to the evil fancy that God was more in the past than in the present; that He is more within the walls of the church, than in the unwalled sky and earth; or seek to turn backwards one step from a living Now to an entombed and consecrated Past.

One lovely Saturday, I had been out all the morning. I had not