Chapter 50
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In Which the Author Thinks It Is High Time to Return to the Vicomte de
Bragelonne.
Our readers will have observed in this story, the adventures of the new
and of the past generation being detailed, as it were, side by side. He
will have noticed in the former, the reflection of the glory of earlier
years, the experience of the bitter things of this world; in the former,
also, that peace which takes possession of the heart, and that healing of
the scars which were formerly deep and painful wounds. In the latter,
the conflicts of love and vanity; bitter disappointments, ineffable
delights; life instead of memory. If, therefore, any variety has been
presented to the reader in the different episodes of this tale, it is to
be attributed to the numerous shades of color which are presented on this
double tablet, where two pictures are seen side by side, mingling and
harmonizing their severe and pleasing tones. The repose of the emotions
of one is found in harmonious contrast with the fiery sentiments of the
other. After having talked reason with older heads, one loves to talk
nonsense with youth. Therefore, if the threads of the story do not seem
very intimately to connect the chapter we are now writing with the one we
have just written, we do not intend to give ourselves any more thought or
trouble about it than Ruysdael took in painting an autumn sky, after
having finished a spring-time scene. We accordingly resume Raoul de
Bragelonne's story at the very place where our last sketch left him.
In a state of frenzy and dismay, or rather without power or will of his
own, - hardly knowing what he was doing, - he fled swiftly, after the
scene in La Valliere's chamber, that strange exclusion, Louise's grief,
Montalais's terror, the king's wrath - all seemed to indicate some
misfortune. But what? He had arrived from London because he had been
told of the existence of a danger; and almost on his arrival this
appearance of danger was manifest. Was not this sufficient for a lover?
Certainly it was, but it was insufficient for a pure and upright heart
such as his. And yet Raoul did not seek for explanations in the very
quarter where more jealous or less timid lovers would have done. He did
not go straightaway to his mistress, and say, "Louise, is it true that
you love me no longer? Is it true that you love another?" Full of
courage, full of friendship as he was full of love; a religious observer
of his word, and believing blindly the word of others, Raoul said within
himself, "Guiche wrote to put me on my guard, Guiche knows something; I
will go and ask Guiche what he knows, and tell him what I have seen."
The journey was not a long one. Guiche, who had been brought from
Fontainebleau to Paris within the
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