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Chapter 55
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Upon at last drawing nigh to Odo, its appearance somewhat
disappointed me. A small island, of moderate elevation.
But plumb not the height of the house that feasts you. The beach was
lined with expectant natives, who, lifting the Chamois, carried us up
the beach.
Alighting, as they were bearing us along, King Media, designating a
canoe-house hard by, ordered our craft to be deposited therein. This
being done, we stepped upon the soil. It was the first we had pressed
in very many days. It sent a sympathetic thrill through our frames.
Turning his steps inland, Media signed us to follow.
Soon we came to a rude sort of inclosure, fenced in by an imposing
wall. Here a halt was sounded, and in great haste the natives
proceeded to throw down a portion of the stones. This accomplished,
we were signed to enter the fortress thus carried by storm. Upon an
artificial mound, opposite the breach, stood a small structure of
bamboo, open in front. Within, was a long pedestal, like a settee,
supporting three images, also of wood, and about the size of men;
bearing, likewise, a remote resemblance to that species of animated
nature. Before these idols was an altar, and at its base many fine
mats.
Entering the temple, as if he felt very much at home, Media disposed
these mats so as to form a very pleasant lounge; where he
deferentially entreated Yillah to recline. Then deliberately removing
the first idol, he motioned me to seat myself in its place.
Setting aside the middle one, he quietly established himself in its
stead. The displaced ciphers, meanwhile, standing upright before us,
and their blank faces looking upon this occasion unusually
expressive. As yet, not a syllable as to the meaning of this cavalier
treatment of their wooden godships.
We now tranquilly awaited what next might happen, and I earnestly
prayed, that if sacrilege was being committed, the vengeance of the
gods might be averted from an ignoramus like me; notwithstanding the
petitioner himself hailed from the other world. Perfect silence was
preserved: Jarl and Samoa standing a little without the temple; the
first looking quite composed, but his comrade casting wondering
glances at my sociable apotheosis with Media.
Now happening to glance upon the image last removed, I was not long
in detecting a certain resemblance between it and our host. Both were
decorated in the same manner; the carving on the idol exactly
corresponding with the tattooing of the king.
Presently, the silence was relieved by a commotion without: and a
butler approached, staggering under an immense wooden trencher;
which, with profound genuflexions, he deposited upon the altar before
us. The tray was
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