Book 2 - Chapter 4

"The Young Idea"

The alterations of feeling in that first dialogue between Tom and
Philip continued to make their intercourse even after many weeks of
schoolboy intimacy. Tom never quite lost the feeling that Philip,
being the son of a "rascal," was his natural enemy; never thoroughly
overcame his repulsion to Philip's deformity. He was a boy who adhered
tenaciously to impressions once received; as with all minds in which
mere perception predominates over thought and emotion, the external
remained to him rigidly what it was in the first instance. But then it
was impossible not to like Philip's company when he was in a good
humor; he could help one so well in one's Latin exercises, which Tom
regarded as a kind of puzzle that could only be found out by a lucky
chance; and he could tell such wonderful fighting stories about Hal of
the Wynd, for example, and other heroes who were especial favorites
with Tom, because they laid about them with heavy strokes. He had
small opinion of Saladin, whose cimeter could cut a cushion in two in
an instant; who wanted to cut cushions? That was a stupid story, and
he didn't care to hear it again. But when Robert Bruce, on the black
pony, rose in his stirrups, and lifting his good battle-axe, cracked
at once the helmet and the skull of the too hasty knight at
Bannockburn, then Tom felt all the exaltation of sympathy, and if he
had had a cocoanut at hand, he would have cracked it at once with the
poker. Philip in his happier moods indulged Tom to the top of his
bent, heightening the crash and bang and fury of every fight with all
the artillery of epithets and similes at his command. But he was not
always in a good humor or happy mood. The slight spurt of peevish
susceptibility which had escaped him in their first interview was a
symptom of a perpetually recurring mental ailment, half of it nervous
irritability, half of it the heart-bitterness produced by the sense of
his deformity. In these fits of susceptibility every glance seemed to
him to be charged either with offensive pity or with ill-repressed
disgust; at the very least it was an indifferent glance, and Philip
felt indifference as a child of the south feels the chill air of a
northern spring. Poor Tom's blundering patronage when they were out of
doors together would sometimes make him turn upon the well-meaning lad
quite savagely; and his eyes, usually sad and quiet, would flash with
anything but playful lightning. No wonder Tom retained his suspicions
of the humpback.

But Philip's self-taught skill in drawing was another link between
them; for Tom found, to his disgust, that his new drawing-master gave
him no dogs and donkeys to draw, but brooks and rustic bridges and
ruins, all with a general softness of