Random Quote
"Painting is silent poetry, and poetry is painting with the gift of speech."
More: Art quotes, Painting quotes
Follow us on Twitter
Never miss a good book again! Follow Read Print on Twitter
Chapter 3 - Page 2
-
-
Rate it:
- 3 Favorites on Read Print
"Why not?" he countered.
"There's no need."
"However, I'm going."
"Well, if you insist on being ridiculous" "Oh, don't put it that way," he objected. "just because I won't let you kiss me. Do you think" "Now, Isabelle," he interrupted, "you know it's not thateven suppose it is. We've reached the stage where we either ought to kissorornothing. It isn't as if you were refusing on moral grounds."
She hesitated.
"I really don't know what to think about you," she began, in a feeble, perverse attempt at conciliation. "You're so funny." "How?"
"Well, I thought you had a lot of self-confidence and all that; remember you told me the other day that you could do anything you wanted, or get anything you wanted?" Amory flushed. He had told her a lot of things. "Yes."
"Well, you didn't seem to feel so self-confident to-night. Maybe you're just plain conceited."
"No, I'm not," he hesitated. "At Princeton" "Oh, you and Princeton! You'd think that was the world, the way you talk! Perhaps you can write better than anybody else on your old Princetonian; maybe the freshmen do think you're important" "You don't understand"
"Yes, I do," she interrupted. "I do, because you're always talking about yourself and I used to like it; now I don't." "Have I to-night?"
"That's just the point," insisted Isabelle. "You got all upset to-night. You just sat and watched my eyes. Besides, I have to think all the time I'm talking to youyou're so critical." "I make you think, do I?" Amory repeated with a touch of vanity. "You're a nervous strain"this emphatically"and when you analyze every little emotion and instinct I just don't have 'em." "I know." Amory admitted her point and shook his head helplessly. "Let's go." She stood up.
He rose abstractedly and they walked to the foot of the stairs. "What train can I get?"
"There's one about 9:11 if you really must go." "Yes, I've got to go, really. Good night." "Good night."
They were at the head of the stairs, and as Amory turned into his room he thought he caught just the faintest cloud of discontent in her face. He lay awake in the darkness and wondered how much he caredhow much of his sudden unhappiness was hurt vanitywhether he was, after all, temperamentally unfitted for romance. When he awoke, it was with a glad flood of consciousness. The early wind stirred the chintz curtains at the windows and he was idly puzzled not to be in his room at Princeton with his school
Do you like this chapter?
If you're writing a F. Scott Fitzgerald essay and need some advice,
post your F. Scott Fitzgerald essay question on our
Facebook page where fellow bookworms are always glad to help!

Recommend to friends






