Chapter 6 - Page 2

The walls, lately so bare and ghastly, were now clothed with hangings of sky-blue velvet and silver; the chairs were of ebony, richly carved, with cushions corresponding to the hangings; and the place of the silver sconces which enlightened the ante-chamber was supplied by a huge chandelier of the same precious metal. The floor was covered with a Spanish foot-cloth, or carpet, on which flowers and fruits were represented in such glowing and natural colours, that you hesitated to place the foot on such exquisite workmanship. The table, of old English oak, stood ready covered with the finest linen; and a large portable court-cupboard was placed with the leaves of its embossed folding-doors displayed, showing the shelves within, decorated with a full display of plate and porcelain. In the midst of the table stood a salt-cellar of Italian workmanship--a beautiful and splendid piece of plate about two feet high, moulded into a representation of the giant Briareus, whose hundred hands of silver presented to the guests various sorts of spices, or condiments, to season their food withal.

The third apartment was called the withdrawing-room. It was hung with the finest tapestry, representing the fall of Phaeton; for the looms of Flanders were now much occupied on classical subjects. The principal seat of this apartment was a chair of state, raised a step or two from the floor, and large enough to contain two persons. It was surmounted by a canopy, which, as well as the cushions, side-curtains, and the very footcloth, was composed of crimson velvet, embroidered with seed-pearl. On the top of the canopy were two coronets, resembling those of an earl and countess. Stools covered with velvet, and some cushions disposed in the Moorish fashion, and ornamented with Arabesque needle-work, supplied the place of chairs in this apartment, which contained musical instruments, embroidery frames, and other articles for ladies' pastime. Besides lesser lights, the withdrawing-room was illuminated by four tall torches of virgin wax, each of which was placed in the grasp of a statue, representing an armed Moor, who held in his left arm a round buckler of silver, highly polished, interposed betwixt his breast and the light, which was thus brilliantly reflected as from a crystal mirror.

The sleeping chamber belonging to this splendid suite of apartments was decorated in a taste less showy, but not less rich, than had been displayed in the others. Two silver lamps, fed with perfumed oil, diffused at once a delicious odour and a trembling twilight-seeming shimmer through the quiet apartment. It was carpeted so thick that the heaviest step could not have been heard, and the bed, richly heaped with down, was spread with an ample coverlet of silk and gold; from under which peeped forth cambric sheets and blankets as white as the lambs which yielded the fleece that made them. The curtains were of blue velvet, lined with crimson silk, deeply festooned with