Introduction

The present work completes a series of fictitious narratives, intended to
illustrate the manners of Scotland at three different periods. _Waverley_
embraced the age of our fathers, _Guy Mannering_ that of our own youth,
and the _Antiquary_ refers to the last ten years of the eighteenth
century. I have, in the two last narratives especially, sought my
principal personages in the class of society who are the last to feel the
influence of that general polish which assimilates to each other the
manners of different nations. Among the same class I have placed some of
the scenes in which I have endeavoured to illustrate the operation of the
higher and more violent passions; both because the lower orders are less
restrained by the habit of suppressing their feelings, and because I
agree, with my friend Wordsworth, that they seldom fail to express them
in the strongest and most powerful language. This is, I think, peculiarly
the case with the peasantry of my own country, a class with whom I have
long been familiar. The antique force and simplicity of their language,
often tinctured with the Oriental eloquence of Scripture, in the mouths
of those of an elevated understanding, give pathos to their grief, and
dignity to their resentment.

I have been more solicitous to describe manners minutely than to arrange
in any case an artificial and combined narrative, and have but to regret
that I felt myself unable to unite these two requisites of a good Novel.

The knavery of the adept in the following sheets may appear forced and
improbable; but we have had very late instances of the force of
superstitious credulity to a much greater extent, and the reader may be
assured, that this part of the narrative is founded on a fact of actual
occurrence.

I have now only to express my gratitude to the Public for the
distinguished reception which, they have given to works, that have little
more than some truth of colouring to recommend them, and to take my
respectful leave, as one who is not likely again to solicit their favour.

. . . . . . . . . . . . . . .

To the above advertisement, which was prefixed to the first edition of
the Antiquary, it is necessary in the present edition to add a few words,
transferred from the Introduction to the Chronicles of the Canongate,
respecting the character of Jonathan Oldbuck.

"I may here state generally, that although I have deemed historical
personages free subjects of delineation, I have never on any occasion
violated the respect due to private life. It was indeed impossible that
traits proper to persons, both living and dead, with whom I have had
intercourse in society, should not have risen to my pen in such works as
Waverley, and those which, followed