Introduction - Page 2

it. But I have always studied to
generalise the portraits, so that they should still seem, on the whole,
the productions of fancy, though possessing some resemblance to real
individuals. Yet I must own my attempts have not in this last particular
been uniformly successful. There are men whose characters are so
peculiarly marked, that the delineation of some leading and principal
feature, inevitably places the whole person before you in his
individuality. Thus the character of Jonathan Oldbuck in the Antiquary,
was partly founded on that of an old friend of my youth, to whom I am
indebted for introducing me to Shakspeare, and other invaluable favours;
but I thought I had so completely disguised the likeness, that it could
not be recognised by any one now alive. I was mistaken, however, and
indeed had endangered what I desired should be considered as a secret;
for I afterwards learned that a highly respectable gentleman, one of the
few surviving friends of my father, and an acute critic, had said, upon
the appearance of the work, that he was now convinced who was the author
of it, as he recognised, in the Antiquary, traces of the character of a
very intimate friend* of my father's family."

* [The late George Constable of Wallace Craigie, near Dundee.]

I have only farther to request the reader not to suppose that my late
respected friend resembled Mr. Oldbuck, either in his pedigree, or the
history imputed to the ideal personage. There is not a single incident in
the Novel which is borrowed from his real circumstances, excepting the
fact that he resided in an old house near a flourishing seaport, and that
the author chanced to witness a scene betwixt him and the female
proprietor of a stage-coach, very similar to that which commences the
history of the Antiquary. An excellent temper, with a slight degree of
subacid humour; learning, wit, and drollery, the more poignant that they
were a little marked by the peculiarities of an old bachelor; a soundness
of thought, rendered more forcible by an occasional quaintness of
expression, were, the author conceives, the only qualities in which the
creature of his imagination resembled his benevolent and excellent old
friend.

The prominent part performed by the Beggar in the following narrative,
induces the author to prefix a few remarks of that character, as it
formerly existed in Scotland, though it is now scarcely to be traced.

Many of the old Scottish mendicants were by no means to be confounded
with the utterly degraded class of beings who now practise that wandering
trade. Such of them as were in the habit of travelling through a
particular district, were usually well received both in the farmer's ha',
and in the kitchens of the country