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    Introduction

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    INTRODUCTION--(1832.)

    The Tales of the Crusaders was determined upon as the title of the
    following series of the Novels, rather by the advice of the few
    friends whom, death has now rendered still fewer, than by the
    author's own taste. Not but that he saw plainly enough the
    interest which might be excited by the very name of the Crusaders,
    but he was conscious at the same time that that interest was of a
    character which it might be more easy to create than to satisfy,
    and that by the mention of so magnificent a subject each reader
    might be induced to call up to his imagination a sketch so
    extensive and so grand that it might not be in the power of the
    author to fill it up, who would thus stand in the predicament of
    the dwarf bringing with him a standard to measure his own stature,
    and showing himself, therefore, says Sterne, "a dwarf more ways
    than one."

    It is a fact, if it were worth while to examine it, that the
    publisher and author, however much their general interests are the
    same, may be said to differ so far as title pages are concerned;
    and it is a secret of the tale-telling art, if it could be termed
    a secret worth knowing, that a taking-title, as it is called, best
    answers the purpose of the bookseller, since it often goes far to
    cover his risk, and sells an edition not unfrequently before the
    public have well seen it. But the author ought to seek more
    permanent fame, and wish that his work, when its leaves are first
    cut open, should be at least fairly judged of. Thus many of the
    best novelists have been anxious to give their works such titles
    as render it out of the reader's power to conjecture their
    contents, until they should have an opportunity of reading them.

    All this did not prevent the Tales of the Crusaders from being the
    title fixed on; and the celebrated year of projects (eighteen
    hundred and twenty-five) being the time of publication, an
    introduction was prefixed according to the humour of the day.

    The first tale of the series was influenced in its structure,
    rather by the wish to avoid the general expectations which might
    be formed from the title, than to comply with any one of them, and

    so disappoint the rest. The story was, therefore, less an incident
    belonging to the Crusades, than one which was occasioned by the
    singular cast of mind introduced and spread wide by those
    memorable undertakings. The confusion among families was not the
    least concomitant evil of the extraordinary preponderance of this
    superstition. It was no unusual thing for a Crusader, returning
    from his long toils of war and pilgrimage, to find his family
    augmented by some young off-shoot, of whom the deserted matron
    could give no very accurate account, or perhaps to find
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