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    Act III

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    Next morning Broadbent and Larry are sitting at the ends of a
    breakfast table in the middle of a small grass plot before
    Cornelius Doyle's house. They have finished their meal, and are
    buried in newspapers. Most of the crockery is crowded upon a
    large square black tray of japanned metal. The teapot is of brown
    delft ware. There is no silver; and the butter, on a dinner
    plate, is en bloc. The background to this breakfast is the house,
    a small white slated building, accessible by a half-glazed door.
    A person coming out into the garden by this door would find the
    table straight in front of him, and a gate leading to the road
    half way down the garden on his right; or, if he turned sharp to
    his left, he could pass round the end of the house through an
    unkempt shrubbery. The mutilated remnant of a huge planter
    statue, nearly dissolved by the rains of a century, and vaguely
    resembling a majestic female in Roman draperies, with a wreath in
    her hand, stands neglected amid the laurels. Such statues, though
    apparently works of art, grow naturally in Irish gardens. Their
    germination is a mystery to the oldest inhabitants, to whose
    means and taste they are totally foreign.

    There is a rustic bench, much roiled by the birds, and
    decorticated and split by the weather, near the little gate. At
    the opposite side, a basket lies unmolested because it might as
    well be there as anywhere else. An empty chair at the table was
    lately occupied by Cornelius, who has finished his breakfast and
    gone in to the room in which he receives rents and keeps his
    books and cash, known in the household as "the office." This
    chair, like the two occupied by Larry and Broadbent, has a
    mahogany frame and is upholstered in black horsehair.

    Larry rises and goes off through the shrubbery with his
    newspaper. Hodson comes in through the garden gate, disconsolate.
    Broadbent, who sits facing the gate, augurs the worst from his
    expression.

    BROADBENT. Have you been to the village?

    HODSON. No use, sir. We'll have to get everything from London by
    parcel post.

    BROADBENT. I hope they made you comfortable last night.

    HODSON. I was no worse than you were on that sofa, sir. One
    expects to rough it here, sir.

    BROADBENT. We shall have to look out for some other arrangement.
    [Cheering up irrepressibly] Still, it's no end of a joke. How do
    you like the Irish, Hodson?

    HODSON. Well, sir, they're all right anywhere but in their own
    country. I've known lots of em in England, and generally liked
    em. But here, sir, I seem simply to hate em. The feeling come
    over me the moment we landed at Cork, sir. It's no use my
    pretendin, sir: I can't bear em. My mind rises up agin their
    ways, somehow: they
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