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    Introduction

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    The twelfth of May, 1796, in north Italy, at Tavazzano, on the
    road from Lodi to Milan. The afternoon sun is blazing serenely
    over the plains of Lombardy, treating the Alps with respect and
    the anthills with indulgence, not incommoded by the basking of
    the swine and oxen in the villages nor hurt by its cool reception
    in the churches, but fiercely disdainful of two hordes of
    mischievous insects which are the French and Austrian armies. Two
    days before, at Lodi, the Austrians tried to prevent the French
    from crossing the river by the narrow bridge there; but the
    French, commanded by a general aged 27, Napoleon Bonaparte, who
    does not understand the art of war, rushed the fireswept bridge,
    supported by a tremendous cannonade in which the young general
    assisted with his own hands. Cannonading is his technical
    specialty; he has been trained in the artillery under the old
    regime, and made perfect in the military arts of shirking his
    duties, swindling the paymaster over travelling expenses, and
    dignifying war with the noise and smoke of cannon, as depicted in
    all military portraits. He is, however, an original observer, and
    has perceived, for the first time since the invention of
    gunpowder, that a cannon ball, if it strikes a man, will kill
    him. To a thorough grasp of this remarkable discovery, he adds a
    highly evolved faculty for physical geography and for the
    calculation of times and distances. He has prodigious powers of
    work, and a clear, realistic knowledge of human nature in public
    affairs, having seen it exhaustively tested in that department
    during the French Revolution. He is imaginative without
    illusions, and creative without religion, loyalty, patriotism or
    any of the common ideals. Not that he is incapable of these
    ideals: on the contrary, he has swallowed them all in his
    boyhood, and now, having a keen dramatic faculty, is extremely
    clever at playing upon them by the arts of the actor and stage
    manager. Withal, he is no spoiled child. Poverty, ill-luck, the
    shifts of impecunious shabby-gentility, repeated failure as a
    would-be author, humiliation as a rebuffed time server, reproof
    and punishment as an incompetent and dishonest officer, an escape
    from dismissal from the service so narrow that if the emigration

    of the nobles had not raised the value of even the most rascally
    lieutenant to the famine price of a general he would have been
    swept contemptuously from the army: these trials have ground the
    conceit out of him, and forced him to be self-sufficient and to
    understand that to such men as he is the world will give nothing
    that he cannot take from it by force. In this the world is not
    free from cowardice and folly; for Napoleon, as a merciless
    cannonader of political rubbish, is
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