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Chapter 23 - Page 2
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Then he bethought him of his poems - would they sell, and bring him in money? In spite of Milton, he thought they might; and he went to fetch his MSS. out of his room. He sate down near the fire, trying to study them with a critical eye, to represent public opinion as far as he could. He had changed his style since the Mrs Hemans' days. He was essentially imitative in his poetic faculty; and of late he had followed the lead of a popular writer of sonnets.' He turned his poems over: they were almost equivalent to an autobiographical passage in his life. Arranging them in their order, they came as follows: -
'To Aimee, Walking with a Little Child.'
'To Aimee, Singing at her Work.'
'To Aimee, turning away from me while I told my Love.'
'Aimee's Confession.'
'Aimee in Despair.'
'The Foreign Land in which my Aimee dwells.'
'The Wedding Ring.'
'The Wife.'
When he came to this last sonnet he put down his bundle of papers and began to think. 'The wife.' Yes, and a French wife. and a Roman Catholic wife - and a wife who might be said to have been in service! And his father's hatred of the French, both collectively and individually - collectively, as tumultuous brutal ruffians, who murdered their king, and committed all kinds of bloody atrocities: individually, as represented by 'Boney,' and
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