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Chapter 9 - Page 2
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knowledge grew and his glib, random criticism took a wider range.
But my library was not the first he had drawn upon: at our first
encounter, he was already brimful of Shelley and the atheistical
Queen Mab, and "Keats - John Keats, sir." And I have often
wondered how he came by these acquirements; just as I often
wondered how he fell to be a beggar. He had served through the
Mutiny - of which (like so many people) he could tell practically
nothing beyond the names of places, and that it was "difficult
work, sir," and very hot, or that so-and-so was "a very fine
commander, sir." He was far too smart a man to have remained a
private; in the nature of things, he must have won his stripes.
And yet here he was without a pension. When I touched on this
problem, he would content himself with diffidently offering me
advice. "A man should be very careful when he is young, sir. If
you'll excuse me saying so, a spirited young gentleman like
yourself, sir, should be very careful. I was perhaps a trifle
inclined to atheistical opinions myself." For (perhaps with a
deeper wisdom than we are inclined in these days to admit) he
plainly bracketed agnosticism with beer and skittles.
Keats - John Keats, sir - and Shelley were his favourite bards. I
cannot remember if I tried him with Rossetti; but I know his taste
to a hair, and if ever I did, he must have doted on that author.
What took him was a richness in the speech; he loved the exotic,
the unexpected word; the moving cadence of a phrase; a vague sense
of emotion (about nothing) in the very letters of the alphabet:
the romance of language. His honest head was very nearly empty,
his intellect like a child's; and when he read his favourite
authors, he can almost never have understood what he was reading.
Yet the taste was not only genuine, it was exclusive; I tried in
vain to offer him novels; he would none of them, he cared for
nothing but romantic language that he could not understand. The
case may be commoner than we suppose. I am reminded of a lad who
was laid in the next cot to a friend of mine in a public hospital
and who was no sooner installed than he sent out (perhaps with his
last pence) for a cheap Shakespeare. My friend pricked up his
ears; fell at once in talk with his new neighbour, and was ready,
when the book arrived, to make a singular discovery. For this
lover of great literature understood not one sentence out of
twelve, and his favourite part was that of which he understood the
least - the inimitable, mouth-filling rodomontade of the ghost in
HAMLET. It was a bright day in hospital when my friend expounded
the sense of this beloved jargon: a task for which I am willing to
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