Chapter 3 - Page 2

attempt to separate the fine arts from the arts of handicraft; any definition or theory that failed to bring these two together, according to him, had missed the point; and the essence of the pleasure received lay in seeing things well done. Other qualities must be added; he was the last to deny that; but this, of perfect craft, was at the bottom of all. And on the other hand, a nail ill-driven, a joint ill-fitted, a tracing clumsily done, anything to which a man had set his hand and not set it aptly, moved him to shame and anger. With such a character, he would feel but little drudgery at Fairbairn's. There would be something daily to be done, slovenliness to be avoided, and a higher mark of skill to be attained; he would chip and file, as he had practiced scales, impatient of his own imperfection, but resolute to learn.

And there was another spring of delight. For he was now moving daily among those strange creations of man's brain, to some so abhorrent, to him of an interest so inexhaustible: in which iron, water, and fire are made to serve as slaves, now with a tread more powerful than an elephant's, and now with a touch more precise and dainty than a pianist's. The taste for machinery was one that I could never share with him, and he had a certain bitter pity for my weakness. Once when I had proved, for the hundredth time, the depth of this defect, he looked at me askance. 'And the best of the joke,' said he, 'is that he thinks himself quite a poet.' For to him the struggle of the engineer against brute forces and with inert allies, was nobly poetic. Habit never dulled in him the sense of the greatness of the aims and obstacles of his profession. Habit only sharpened his inventor's gusto in contrivance, in triumphant artifice, in the Odyssean subtleties, by which wires are taught to speak, and iron hands to weave, and the slender ship to brave and to outstrip the tempest. To the ignorant the great results alone are admirable; to the knowing, and to Fleeming in particular, rather the infinite device and sleight of hand that made them possible.

A notion was current at the time that, in such a shop as Fairbairn's, a pupil would never be popular unless he drank with the workmen and imitated them in speech and manner. Fleeming, who would do none of these things, they accepted as a friend and companion; and this was the subject of remark in Manchester, where some memory of it lingers till to-day. He thought it one of the advantages of his profession to be brought into a close relation with the working classes; and for the skilled artisan he had a great esteem, liking his company, his virtues, and his taste in some of the arts. But he knew the classes too well to regard them, like a platform speaker, in a lump. He drew, on the other hand, broad distinctions; and it was his profound sense of the difference between one working man and another that led him to devote so much time, in later days, to the furtherance of technical