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Chapter VII--The Need of Knowing
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Miss Laetitia Rowly recognised that she had a difficult task before her, for she was by now accustomed to Stephen's quiet method of having her own way.
She made a careful toilet before driving over to Normanstand. Her wearing her best bonnet was a circumstance not unattended with dread for some one. Behold her then, sailing into the great drawing-room at Normanstand with her mind so firmly fixed on the task before her as to be oblivious of minor considerations. She was so fond of Stephen, and admired so truly her many beauties and fine qualities, that she was secure and without flaw in her purpose. Stephen was in danger, and though she doubted if she would be able to effect any change, she was determined that at least she should not go into danger with her eyes unopened.
Stephen entered hastily and ran to her. She loved her great-aunt; really and truly loved her. And indeed it would have been strange if she had not, for from the earliest hour which she could recollect she had received from her nothing but the truest, fondest affection. Moreover she deeply respected the old lady, her truth, her resolution, her kindliness, her genuine common-sense ability. Stephen always felt safe with her aunt. In the presence of others she might now and again have a qualm or a doubt; but not with her. There was an abiding calm in her love, answering love realised and respected. Her long and intimate knowledge of Laetitia made her aware of her moods. She could read the signs of them. She knew well the meaning of the bonnet which actually seemed to quiver as though it had a sentience of its own. She knew well the cause of her aunt's perturbation; the pain which must be caused to her was perhaps the point of most resistance in herself--she having made up her mind to her new experience. All she could do would be to try to reconcile her by the assurance of good intention; by reason, and by sweetness of manner. When she had kissed her and sat beside her, holding her hand after her pretty way, she, seeing the elder woman somewhat at a loss, opened the subject herself:
'You look troubled, auntie! I hope it is nothing serious?'
'It is, my dear! Very serious! Everything is serious to me which touches you.'
'Me, Auntie!' Hypocrisy is a fine art.
'Yes! yes, Stephen. Oh! my dear child, what is this I hear about your going to Petty Sessions with your father?'
'Oh, that! Why, Auntie dear, you must not let that trouble you. It is all right. That is necessary!'
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