In December, 1847, Wuthering Heights and Agnes Grey appeared. The first-named of these stories has revolted many readers by the power with which wicked and exceptional characters are depicted. Others, again, have felt the attraction of remarkable genius, even when displayed on grim and terrible criminals. Miss Bronte herself says, with regard to this tale, "Where delineation of human character is concerned, the case is different. I am bound to avow that she had scarcely more practical knowledge of the peasantry amongst whom she lived, than a nun has of the country-people that pass her convent gates. My sister's disposition was not naturally gregarious: circumstances favoured and fostered her tendency to seclusion; except to go to church, or take a walk on the hills, she rarely crossed the threshold of home. Though the feeling for the people around her was benevolent, intercourse with them she never sought, nor, with very few exceptions, ever experienced and yet she knew them, knew their ways, their language, and their family histories; she could hear of them with interest, and talk of them with detail minute, graphic, and accurate; but with them she rarely exchanged a word. Hence it ensued, that what her mind has gathered of the real concerning them, was too exclusively confined to those tragic and terrible traits, of which, in listening to the secret annals of every rude vicinage, the memory is sometimes compelled to receive the impress. Her imagination, which was a spirit more sombre than sunny - more powerful than sportive - found in such traits material whence it wrought creations like Heathcliff, like Earnshaw, like Catherine. Having formed these beings, she did not know what she had done. If the auditor of her work, when read in manuscript, shuddered under the grinding influence of natures so relentless and implacable - of spirits so lost and fallen; if it was complained that the mere hearing of certain vivid and fearful scenes banished sleep by night, and disturbed mental peace by day, Ellis Bell would wonder what was meant, and suspect the complainant of affectation. Had she but lived, her mind would of itself have grown like a strong tree - loftier, straighter, wider-spreading - and its matured fruits would have attained a mellower ripeness and sunnier bloom; but on that mind time and experience alone could work; to the influence of other intellects she was not amenable."
Whether justly or unjustly, the productions of the two younger Miss Brontes were not received with much favour at the time of their publication. "Critics failed to do them justice. The immature, but very real, powers revealed in Wuthering Heights, were scarcely recognised; its import and nature were misunderstood; the identity of its author was misrepresented: it was said that this was an earlier and ruder attempt of the same pen which had produced Jane Eyre." . . . "Unjust and grievous error! We laughed at it at first, but I deeply lament it now.
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