Ch. 2: For the Advancement of Religion - Page 2

night; the penalizing of publicans who supplied drink to drunken customers; the building of churches, have since been adopted.

I cannot agree with Mr. Churton Collins ("Jonathan Swift," pp. 59-61) in suspecting Swift of a special policy of self-interest in writing the "Project." Swift was too honest a man to use the religious sentiment for the purpose of counteracting any bad impression his previous writings had made on those who had the power to advance him. However much he might delight in the possession of high worldly station, he would never so prostitute himself to obtain it. Nor did he care to let the world into the secret of his heart. Indeed, all his life Swift seemed to hide, almost jealously, the genuine piety of his nature. Whatever suspicion of policy has surrounded the tract must be ascribed to the well-intentioned letter of the Earl of Berkeley above quoted; and the Earl would not have written thus had he felt Swift's motive to be any other than a purely impersonal one.

Steele, in his review of the "Project" in the fifth "Tatler" (April 20th, 1709), makes some interesting observations, and seems to take special note of the "Person of Honour," in the character of which Swift wrote it. Writing from Will's Coffee-House, Steele says: "This week being sacred to holy things, and no public diversions allowed, there has been taken notice of even here, a little Treatise, called 'A Project for the Advancement of Religion: dedicated to the Countess of Berkeley.' The title was so uncommon, and promised so peculiar a way of thinking, that every man here has read it, and as many as have done so have approved it. It is written with the spirit of one who has seen the world enough to undervalue it with good breeding. The author must certainly be a man of wisdom, as well as piety, and have spent as much time in the exercise of both. The real causes of the decay of the interests of religion are set forth in a clear and lively manner, without unseasonable passions; and the whole air of the book, as to the language, the sentiments, and the reasonableness, show it was written by one whose virtue sits easy about him, and to whom vice is thoroughly contemptible. It was said by one of this company, alluding to that knowledge of the world the author seems to have, the man writes much like a gentleman, and goes to Heaven with a very good mien."

In his "Apology" Steele refers to this "Tatler" note, and remarks: "The gentleman I here intended was Dr. Swift, this kind of man I thought him at that time. We have not met of late, but I hope he deserves this character still."

The present text is based upon the first edition; but this edition was so wretchedly printed that I have carefully collated it with those given in the "Miscellanies" (1711), Faulkner (1735), and Hawkesworth (1762).

[T. S.]

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