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5: Realisation of Love
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infinite and the finite, of the supreme being and our soul.
There is a sublime paradox that lies at the root of existence.
We never can go round it, because we never can stand outside the
problem and weigh it against any other possible alternative. But
the problem exists in logic only; in reality it does not offer us
any difficulty at all. Logically speaking, the distance between
two points, however near, may be said to be infinite because it
is infinitely divisible. But we _do_ cross the infinite at every
step, and meet the eternal in every second. Therefore some of our
philosophers say there is no such thing as finitude; it is but a
_maya_, an illusion. The real is the infinite, and it is only
_maya_, the unreality, which causes the appearance of the finite.
But the word _maya_ is a mere name, it is no explanation. It is
merely saying that with truth there is this appearance which is
the opposite of truth; but how they come to exist at one and the
same time is incomprehensible.
We have what we call in Sanskrit _dvandva_, a series of opposites
in creation; such as, the positive pole and the negative, the
centripetal force and the centrifugal, attraction and repulsion.
These are also mere names, they are no explanations. They are
only different ways of asserting that the world in its essence is
a reconciliation of pairs of opposing forces. These forces, like
the left and the right hands of the creator, are acting in
absolute harmony, yet acting from opposite directions.
There is a bond of harmony between our two eyes, which makes them
act in unison. Likewise there is an unbreakable continuity of
relation in the physical world between heat and cold, light and
darkness, motion and rest, as between the bass and treble notes
of a piano. That is why these opposites do not bring confusion
in the universe, but harmony. If creation were but a chaos, we
should have to imagine the two opposing principles as trying to
get the better of each other. But the universe is not under
martial law, arbitrary and provisional. Here we find no force
which can run amok, or go on indefinitely in its wild road, like
an exiled outlaw, breaking all harmony with its surroundings;
each force, on the contrary, has to come back in a curved line to
its equilibrium. Waves rise, each to its individual height in a
seeming attitude of unrelenting competition, but only up to a
certain point; and thus we know of the great repose of the sea to
which they are all related, and to which they must all return in
a rhythm which is marvellously beautiful.
In fact, these undulations and vibrations, these risings and
fallings, are not due to the erratic contortions of
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