7: Realisation of Beauty

Things in which we do not take joy are either a burden upon our
minds to be got rid of at any cost; or they are useful, and
therefore in temporary and partial relation to us, becoming
burdensome when their utility is lost; or they are like wandering
vagabonds, loitering for a moment on the outskirts of our
recognition, and then passing on. A thing is only completely our
own when it is a thing of joy to us.

The greater part of this world is to us as if it were nothing.
But we cannot allow it to remain so, for thus it belittles our
own self. The entire world is given to us, and all our powers
have their final meaning in the faith that by their help we are
to take possession of our patrimony.

But what is the function of our sense of beauty in this process
of the extension of our consciousness? Is it there to separate
truth into strong lights and shadows, and bring it before us in
its uncompromising distinction of beauty and ugliness? If that
were so, then we would have had to admit that this sense of
beauty creates a dissension in our universe and sets up a wall of
hindrance across the highway of communication that leads from
everything to all things.

But that cannot be true. As long as our realisation is
incomplete a division necessarily remains between things known
and unknown, pleasant and unpleasant. But in spite of the dictum
of some philosophers man does not accept any arbitrary and
absolute limit to his knowable world. Every day his science is
penetrating into the region formerly marked in his map as
unexplored or inexplorable. Our sense of beauty is similarly
engaged in ever pushing on its conquests. Truth is everywhere,
therefore everything is the object of our knowledge. Beauty is
omnipresent, therefore everything is capable of giving us joy.

In the early days of his history man took everything as a
phenomenon of life. His science of life began by creating a
sharp distinction between life and non-life. But as it is
proceeding farther and farther the line of demarcation between
the animate and inanimate is growing more and more dim. In the
beginning of our apprehension these sharp lines of contrast are
helpful to us, but as our comprehension becomes clearer they
gradually fade away.

The Upanishads have said that all things are created and
sustained by an infinite joy. To realise this principle of
creation we have to start with a division--the division into the
beautiful and the non-beautiful. Then the apprehension of beauty
has to come to us with a vigorous blow to awaken our
consciousness from its primitive lethargy, and it attains its
object by the urgency of the contrast. Therefore our first
acquaintance with beauty is in her dress of motley