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    Chapter 17 - Page 2

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    the corridor, and entered the drawing- room. Nobody was there.

    A window at the angle of the room opened directly into an octagonal conservatory, enclosing the corner of the building. From the conservatory came voices in conversation--Mrs. Swancourt's and the stranger's.

    She had expected him to talk brilliantly. To her surprise he was asking questions in quite a learner's manner, on subjects connected with the flowers and shrubs that she had known for years. When after the lapse of a few minutes he spoke at some length, she considered there was a hard square decisiveness in the shape of his sentences, as if, unlike her own and Stephen's, they were not there and then newly constructed, but were drawn forth from a large store ready-made. They were now approaching the window to come in again.

    'That is a flesh-coloured variety,' said Mrs. Swancourt. 'But oleanders, though they are such bulky shrubs, are so very easily wounded as to be unprunable--giants with the sensitiveness of young ladies. Oh, here is Elfride!'

    Elfride looked as guilty and crestfallen as Lady Teazle at the dropping of the screen. Mrs. Swancourt presented him half comically, and Knight in a minute or two placed himself beside the young lady.

    A complexity of instincts checked Elfride's conventional smiles of complaisance and hospitality; and, to make her still less comfortable, Mrs. Swancourt immediately afterwards left them together to seek her husband. Mr. Knight, however, did not seem at all incommoded by his feelings, and he said with light easefulness:

    'So, Miss Swancourt, I have met you at last. You escaped me by a few minutes only when we were in London.'

    'Yes. I found that you had seen Mrs. Swancourt.'

    'And now reviewer and reviewed are face to face,' he added unconcernedly.

    'Yes: though the fact of your being a relation of Mrs. Swancourt's takes off the edge of it. It was strange that you should be one of her family all the time.' Elfride began to recover herself now, and to look into Knight's face. 'I was merely anxious to let you know my real meaning in writing the book--extremely anxious.'

    'I can quite understand the wish; and I was gratified that my remarks should have reached home. They very seldom do, I am afraid.'

    Elfride drew herself in. Here he was, sticking to his opinions as firmly as if friendship and politeness did not in the least require an immediate renunciation of them.

    'You made me very uneasy and sorry by writing such things!' she murmured, suddenly dropping the mere cacueterie of a fashionable first introduction, and speaking with some of the dudgeon of a child towards a severe schoolmaster.

    'That is rather the object of honest critics in such a case. Not to cause unnecessary sorrow, but: "To make you sorry after a proper manner, that ye may receive damage by us in nothing," as a powerful pen once wrote to the
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