Chapter 38 - Page 2
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'Don't say another word, but sit down. I am only too glad to see you again.'
Stephen would hardly have cared to tell Knight just then that the minute before Knight was announced he had been reading over some old letters of Elfride's. They were not many; and until to-night had been sealed up, and stowed away in a corner of his leather trunk, with a few other mementoes and relics which had accompanied him in his travels. The familiar sights and sounds of London, the meeting with his friend, had with him also revived that sense of abiding continuity with regard to Elfride and love which his absence at the other side of the world had to some extent suspended, though never ruptured. He at first intended only to look over these letters on the outside; then he read one; then another; until the whole was thus re-used as a stimulus to sad memories. He folded them away again, placed them in his pocket, and instead of going on with an examination into the state of the artistic world, had remained musing on the strange circumstance that he had returned to find Knight not the husband of Elfride after all.
The possibility of any given gratification begets a cumulative sense of its necessity. Stephen gave the rein to his imagination, and felt more intensely than he had felt for many months that, without Elfride, his life would never be any great pleasure to himself, or honour to his Maker.
They sat by the fire, chatting on external and random subjects, neither caring to be the first to approach the matter each most longed to discuss. On the table with the periodicals lay two or three pocket-books, one of them being open. Knight seeing from the exposed page that the contents were sketches only, began turning the leaves over carelessly with his finger. When, some time later, Stephen was out of the room, Knight proceeded to pass the interval by looking at the sketches more carefully.
The first crude ideas, pertaining to dwellings of all kinds, were roughly outlined on the different pages. Antiquities had been copied; fragments of Indian columns, colossal statues, and outlandish ornament from the temples of Elephanta and Kenneri, were carelessly intruded upon by outlines of modern doors, windows, roofs, cooking-stoves, and household furniture; everything, in short, which comes within the range of a practising architect's experience, who travels with his eyes open. Among these occasionally appeared rough delineations of mediaeval subjects for carving or illumination--heads of Virgins, Saints, and Prophets.
Stephen was not professedly a free-hand draughtsman, but he drew the human figure with correctness and skill. In its numerous repetitions on the sides and edges of the leaves, Knight began to notice a
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