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Chapter 2 - Page 2
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All who were in the room preserved a submissive silence while Albert was playing, and seemed to live and breathe only in his music.
The merry officer sat motionless on a chair by a window, directing a lifeless gaze upon the floor and breathing slowly and heavily. The girls sat in complete silence along the walls, and only occasionally threw approving and bewildered glances at one another. The hostess's fat smiling face expanded with pleasure. The pianist riveted his eyes on Albert's face and, with a fear of blundering which expressed itself in his whole taut figure, tried to keep up with him. One of the visitors who had drunk more than the others lay prone on the sofa, trying not to move for fear of betraying his agitation. Delesov experienced an unaccustomed sensation. It was as if a cold circle, now expanding, now contracting, held his head in a vice. The roots of his hair became sensitive, cold shivers ran up his spine, something rising higher and higher in his throat pricked his nose and palate as if with fine needles, and tears involuntarily wetted his cheeks. He shook himself, tried to restrain them and wipe them unperceived, but others rose and ran down his cheeks. By some strange concatenation of impressions the first sounds of Albert's violin carried Delesov back to his early youth. Now no longer very young, tired of life and exhausted, he suddenly felt himself a self-satisfied, good-looking, blissfully foolish and unconsciously happy lad of seventeen.
He remembered his first love - for his cousin in a little pink dress;; remembered his first declaration of love made in a linden avenue; remembered the warmth and incomprehensible delight of a spontaneous kiss, and the magic and undivined mystery of the Nature that then surrounded him. In the memories that returned to him she shone out amid a mist of vague hopes, uncomprehended desires, and questioning faith in the possibility of impossible happiness. All the unappreciated moments of that time arose before him one after another, not as insignificant moments of a fleeting present, but as arrested, growing, reproachful images of the past. He contemplated them with joy, and wept - wept not because the time was past that he might have spent better (if he had it again he would not have undertaken to employ it better), but merely because it was past and would never return. Memories rose up of themselves, and Albert's violin repeated again and
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