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    Chapter 33

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    It was late when he awoke the next day. His hosts were no longer
    in. He did not go shooting, but now took up a book, and now went
    out into the porch, and now again re-entered the hut and lay down
    on the bed. Vanyusha thought he was ill.

    Towards evening Olenin got up, resolutely began writing, and wrote
    on till late at night. He wrote a letter, but did not post it
    because he felt that no one would have understood what he wanted
    to say, and besides it was not necessary that anyone but himself
    should understand it. This is what he wrote:

    'I receive letters of condolence from Russia. They are afraid that
    I shall perish, buried in these wilds. They say about me: "He will
    become coarse; he will be behind the times in everything; he will
    take to drink, and who knows but that he may marry a Cossack
    girl." It was not for nothing, they say, that Ermolov declared:
    "Anyone serving in the Caucasus for ten years either becomes a
    confirmed drunkard or marries a loose woman." How terrible! Indeed
    it won't do for me to ruin myself when I might have the great
    happiness of even becoming the Countess B---'s husband, or a Court
    chamberlain, or a Marechal de noblesse of my district. Oh, how
    repulsive and pitiable you all seem to me! You do not know what
    happiness is and what life is! One must taste life once in all its
    natural beauty, must see and understand what I see every day
    before me--those eternally unapproachable snowy peaks, and a
    majestic woman in that primitive beauty in which the first woman
    must have come from her creator's hands--and then it becomes clear
    who is ruining himself and who is living truly or falsely--you or
    I. If you only knew how despicable and pitiable you, in your
    delusions, seem to me! When I picture to myself--in place of my
    hut, my forests, and my love--those drawing-rooms, those women
    with their pomatum-greased hair eked out with false curls, those
    unnaturally grimacing lips, those hidden, feeble, distorted limbs,
    and that chatter of obligatory drawing-room conversation which has
    no right to the name--I feel unendurably revolted. I then see
    before me those obtuse faces, those rich eligible girls whose
    looks seem to say:

    "It's all right, you may come near though I am rich and eligible"-
    -and that arranging and rearranging of seats, that shameless
    match-making and that eternal tittle-tattle and pretence; those
    rules--with whom to shake hands, to whom only to nod, with whom to
    converse (and all this done deliberately with a conviction of its
    inevitability), that continual ennui in the blood passing on from
    generation to generation. Try to understand or believe just this
    one thing: you need only see and comprehend what truth and beauty
    are,
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