Ch. 12: On Novels and the Art of Writing Them - Page 2

it exists strongly in reference to the appreciation in which they are professed to be held; and it robs them of much of that high character which they may claim to have earned by their grace, their honesty, and good teaching.

No man can work long at any trade without being brought to consider much, whether that which he is daily doing tends to evil or to good. I have written many novels, and have known many writers of novels, and I can assert that such thoughts have been strong with them and with myself. But in acknowledging that these writers have received from the public a full measure of credit for such genius, ingenuity, or perseverance as each may have displayed, I feel that there is still wanting to them a just appreciation of the excellence of their calling, and a general understanding of the high nature of the work which they perform.

By the common consent of all mankind who have read, poetry takes the highest place in literature. That nobility of expression, and all but divine grace of words, which she is bound to attain before she can make her footing good, is not compatible with prose. Indeed it is that which turns prose into poetry. When that has been in truth achieved, the reader knows that the writer has soared above the earth, and can teach his lessons somewhat as a god might teach. He who sits down to write his tale in prose makes no such attempt, nor does he dream that the poet's honour is within his reach;--but his teaching is of the same nature, and his lessons all tend to the same end. By either, false sentiments may be fostered; false notions of humanity may be engendered; false honour, false love, false worship may be created; by either, vice instead of virtue may be taught. But by each, equally, may true honour, true love; true worship, and true humanity be inculcated; and that will be the greatest teacher who will spread such truth the widest. But at present, much as novels, as novels, are bought and read, there exists still an idea, a feeling which is very prevalent, that novels at their best are but innocent. Young men and women,--and old men and women too,--read more of them than of poetry, because such reading is easier than the reading of poetry; but they read them,--as men eat pastry after dinner,--not without some inward conviction that the taste is vain if not vicious. I take upon myself to say that it is neither vicious nor vain.

But all writers of fiction who have desired to think well of their own work, will probably have had doubts on their minds before they have arrived at this conclusion. Thinking much of my own daily labour and of its nature, I felt myself at first to be much afflicted and then to be deeply grieved by the opinion expressed by wise and thinking men as to the work done by novelists. But when, by degrees, I dared to examine and sift the sayings of such men, I found them to be sometimes silly and often arrogant. I began to inquire what had been the nature of