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    Chapter 11

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    CHAPTER XI [I Paint a "Turner"]

    The summer days passed pleasantly in Heidelberg. We had a skilled
    trainer, and under his instructions we were getting our legs in the
    right condition for the contemplated pedestrian tours; we were well
    satisfied with the progress which we had made in the German language,
    [1. See Appendix D for information concerning this fearful tongue.] and
    more than satisfied with what we had accomplished in art. We had had the
    best instructors in drawing and painting in Germany--Haemmerling, Vogel,
    Mueller, Dietz, and Schumann. Haemmerling taught us landscape-painting.
    Vogel taught us figure-drawing, Mueller taught us to do still-life,
    and Dietz and Schumann gave us a finishing course in two
    specialties--battle-pieces and shipwrecks. Whatever I am in Art I owe to
    these men. I have something of the manner of each and all of them;
    but they all said that I had also a manner of my own, and that it
    was conspicuous. They said there was a marked individuality about my
    style--insomuch that if I ever painted the commonest type of a dog, I
    should be sure to throw a something into the aspect of that dog which
    would keep him from being mistaken for the creation of any other artist.
    Secretly I wanted to believe all these kind sayings, but I could not; I
    was afraid that my masters' partiality for me, and pride in me, biased
    their judgment. So I resolved to make a test. Privately, and unknown to
    any one, I painted my great picture, "Heidelberg Castle Illuminated"--my
    first really important work in oils--and had it hung up in the midst
    of a wilderness of oil-pictures in the Art Exhibition, with no name
    attached to it. To my great gratification it was instantly recognized
    as mine. All the town flocked to see it, and people even came from
    neighboring localities to visit it. It made more stir than any other
    work in the Exhibition. But the most gratifying thing of all was, that
    chance strangers, passing through, who had not heard of my picture, were
    not only drawn to it, as by a lodestone, the moment they entered the
    gallery, but always took it for a "Turner."

    Apparently nobody had ever done that. There were ruined castles on the
    overhanging cliffs and crags all the way; these were said to have their
    legends, like those on the Rhine, and what was better still, they had

    never been in print. There was nothing in the books about that lovely
    region; it had been neglected by the tourist, it was virgin soil for the
    literary pioneer.

    Meantime the knapsacks, the rough walking-suits and the stout
    walking-shoes which we had ordered, were finished and brought to us.
    A Mr. X and a young Mr. Z had agreed to go with us. We went around one
    evening and bade good-by to our friends,
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