Meet us on:
Welcome to Read Print! Sign in with
or
to get started!
 
Entire Site
    Try our fun game

    Dueling book covers…may the best design win!

    Random Quote
    "The camera's only job is to get out of the way of making photographs."
     

    Subscribe to Our Newsletter

    Follow us on Twitter

    Never miss a good book again! Follow Read Print on Twitter

    Chapter 8

    • Rate it:
    Launch Reading Mode Next Page
    Page 1 of 5
    Previous Chapter
    This is royal! Let those who went up through Spain make the best of it
    --these dominions of the Emperor of Morocco suit our little party well
    enough. We have had enough of Spain at Gibraltar for the present.
    Tangier is the spot we have been longing for all the time. Elsewhere we
    have found foreign-looking things and foreign-looking people, but always
    with things and people intermixed that we were familiar with before, and
    so the novelty of the situation lost a deal of its force. We wanted
    something thoroughly and uncompromisingly foreign--foreign from top to
    bottom--foreign from center to circumference--foreign inside and outside
    and all around--nothing anywhere about it to dilute its foreignness
    --nothing to remind us of any other people or any other land under the sun.
    And lo! In Tangier we have found it. Here is not the slightest thing
    that ever we have seen save in pictures--and we always mistrusted the
    pictures before. We cannot anymore. The pictures used to seem
    exaggerations--they seemed too weird and fanciful for reality. But
    behold, they were not wild enough--they were not fanciful enough--they
    have not told half the story. Tangier is a foreign land if ever there
    was one, and the true spirit of it can never be found in any book save
    The Arabian Nights. Here are no white men visible, yet swarms of
    humanity are all about us. Here is a packed and jammed city enclosed in
    a massive stone wall which is more than a thousand years old. All the
    houses nearly are one-and two-story, made of thick walls of stone,
    plastered outside, square as a dry-goods box, flat as a floor on top, no
    cornices, whitewashed all over--a crowded city of snowy tombs! And the
    doors are arched with the peculiar arch we see in Moorish pictures; the
    floors are laid in varicolored diamond flags; in tesselated, many-colored
    porcelain squares wrought in the furnaces of Fez; in red tiles and broad
    bricks that time cannot wear; there is no furniture in the rooms (of
    Jewish dwellings) save divans--what there is in Moorish ones no man may
    know; within their sacred walls no Christian dog can enter. And the
    streets are oriental--some of them three feet wide, some six, but only
    two that are over a dozen; a man can blockade the most of them by
    extending his body across them. Isn't it an oriental picture?

    There are stalwart Bedouins of the desert here, and stately Moors proud
    of a history that goes back to the night of time; and Jews whose fathers
    fled hither centuries upon centuries ago; and swarthy Riffians from the
    mountains--born cut-throats--and original, genuine Negroes as black as
    Moses; and howling dervishes and a hundred breeds of Arabs--all sorts and
    descriptions of people that are foreign and curious to look upon.

    And their dresses
    Next Page
    Page 1 of 5
    Previous Chapter
    If you're writing a Mark Twain essay and need some advice, post your Mark Twain essay question on our Facebook page where fellow bookworms are always glad to help!

    Top 5 Authors

    Top 5 Books

    Book Status
    Finished
    Want to read
    Abandoned

    Are you sure you want to leave this group?