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Chapter 16
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understand that it is real, that it is on the earth, that it is not the
Garden of Eden--but your brain grows giddy, stupefied by the world of
beauty around you, and you half believe you are the dupe of an exquisite
dream. The scene thrills one like military music! A noble palace,
stretching its ornamented front, block upon block away, till it seemed
that it would never end; a grand promenade before it, whereon the armies
of an empire might parade; all about it rainbows of flowers, and colossal
statues that were almost numberless and yet seemed only scattered over
the ample space; broad flights of stone steps leading down from the
promenade to lower grounds of the park--stairways that whole regiments
might stand to arms upon and have room to spare; vast fountains whose
great bronze effigies discharged rivers of sparkling water into the air
and mingled a hundred curving jets together in forms of matchless beauty;
wide grass-carpeted avenues that branched hither and thither in every
direction and wandered to seemingly interminable distances, walled all
the way on either side with compact ranks of leafy trees whose branches
met above and formed arches as faultless and as symmetrical as ever were
carved in stone; and here and there were glimpses of sylvan lakes with
miniature ships glassed in their surfaces. And every where--on the
palace steps, and the great promenade, around the fountains, among the
trees, and far under the arches of the endless avenues--hundreds and
hundreds of people in gay costumes walked or ran or danced, and gave to
the fairy picture the life and animation which was all of perfection it
could have lacked.
It was worth a pilgrimage to see. Everything is on so gigantic a scale.
Nothing is small--nothing is cheap. The statues are all large; the
palace is grand; the park covers a fair-sized county; the avenues are
interminable. All the distances and all the dimensions about Versailles
are vast. I used to think the pictures exaggerated these distances and
these dimensions beyond all reason, and that they made Versailles more
beautiful than it was possible for any place in the world to be. I know
now that the pictures never came up to the subject in any respect, and
that no painter could represent Versailles on canvas as beautiful as it
is in reality. I used to abuse Louis XIV for spending two hundred
millions of dollars in creating this marvelous park, when bread was so
scarce with some of his subjects; but I have forgiven him now. He took a
tract of land sixty miles in circumference and set to work to make this
park and build this palace and a road to it from Paris. He kept 36,000
men employed daily on it, and the labor was so
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