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    Chapter 30

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    ASCENT OF VESUVIUS--CONTINUED.

    "See Naples and die." Well, I do not know that one would necessarily die
    after merely seeing it, but to attempt to live there might turn out a
    little differently. To see Naples as we saw it in the early dawn from
    far up on the side of Vesuvius, is to see a picture of wonderful beauty.
    At that distance its dingy buildings looked white--and so, rank on rank
    of balconies, windows and roofs, they piled themselves up from the blue
    ocean till the colossal castle of St. Elmo topped the grand white pyramid
    and gave the picture symmetry, emphasis and completeness. And when its
    lilies turned to roses--when it blushed under the sun's first kiss--it
    was beautiful beyond all description. One might well say, then, "See
    Naples and die." The frame of the picture was charming, itself. In
    front, the smooth sea--a vast mosaic of many colors; the lofty islands
    swimming in a dreamy haze in the distance; at our end of the city the
    stately double peak of Vesuvius, and its strong black ribs and seams of
    lava stretching down to the limitless level campagna--a green carpet that
    enchants the eye and leads it on and on, past clusters of trees, and
    isolated houses, and snowy villages, until it shreds out in a fringe of
    mist and general vagueness far away. It is from the Hermitage, there on
    the side of Vesuvius, that one should "see Naples and die."

    But do not go within the walls and look at it in detail. That takes away
    some of the romance of the thing. The people are filthy in their habits,
    and this makes filthy streets and breeds disagreeable sights and smells.
    There never was a community so prejudiced against the cholera as these
    Neapolitans are. But they have good reason to be. The cholera generally
    vanquishes a Neapolitan when it seizes him, because, you understand,
    before the doctor can dig through the dirt and get at the disease the man
    dies. The upper classes take a sea-bath every day, and are pretty
    decent.

    The streets are generally about wide enough for one wagon, and how they
    do swarm with people! It is Broadway repeated in every street, in every
    court, in every alley! Such masses, such throngs, such multitudes of

    hurrying, bustling, struggling humanity! We never saw the like of it,
    hardly even in New York, I think. There are seldom any sidewalks, and
    when there are, they are not often wide enough to pass a man on without
    caroming on him. So everybody walks in the street--and where the street
    is wide enough, carriages are forever dashing along. Why a thousand
    people are not run over and crippled every day is a mystery that no man
    can solve. But if there is an eighth wonder in the world, it must be the
    dwelling-houses of Naples. I honestly believe a good
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