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Chapter 1
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The rambler who, for old association or other reasons, should
trace the forsaken coach-road running almost in a meridional line
from Bristol to the south shore of England, would find himself
during the latter half of his journey in the vicinity of some
extensive woodlands, interspersed with apple-orchards. Here the
trees, timber or fruit-bearing, as the case may be, make the way-
side hedges ragged by their drip and shade, stretching over the
road with easeful horizontality, as if they found the
unsubstantial air an adequate support for their limbs. At one
place, where a hill is crossed, the largest of the woods shows
itself bisected by the high-way, as the head of thick hair is
bisected by the white line of its parting. The spot is lonely.
The physiognomy of a deserted highway expresses solitude to a
degree that is not reached by mere dales or downs, and bespeaks a
tomb-like stillness more emphatic than that of glades and pools.
The contrast of what is with what might be probably accounts for
this. To step, for instance, at the place under notice, from the
hedge of the plantation into the adjoining pale thoroughfare, and
pause amid its emptiness for a moment, was to exchange by the act
of a single stride the simple absence of human companionship for
an incubus of the forlorn.
At this spot, on the lowering evening of a by-gone winter's day,
there stood a man who had entered upon the scene much in the
aforesaid manner. Alighting into the road from a stile hard by,
he, though by no means a "chosen vessel" for impressions, was
temporarily influenced by some such feeling of being suddenly more
alone than before he had emerged upon the highway.
It could be seen by a glance at his rather finical style of dress
that he did not belong to the country proper; and from his air,
after a while, that though there might be a sombre beauty in the
scenery, music in the breeze, and a wan procession of coaching
ghosts in the sentiment of this old turnpike-road, he was mainly
puzzled about the way. The dead men's work that had been expended
in climbing that hill, the blistered soles that had trodden it,
and the tears that had wetted it, were not his concern; for fate
had given him no time for any but practical things.
He looked north and south, and mechanically prodded the ground
with his walking-stick. A closer glance at his face corroborated
the testimony of his clothes. It was self-complacent, yet there
was small apparent ground for such complacence. Nothing
irradiated it; to the eye of the magician in character, if not to
the ordinary observer, the expression enthroned there was absolute
submission to and belief in a little assortment of forms and
habitudes.
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