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    Chapter 6

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    CHAPTER VI.

    Meanwhile, Winterborne and Grace Melbury had also undergone their
    little experiences of the same homeward journey.

    As he drove off with her out of the town the glances of people
    fell upon them, the younger thinking that Mr. Winterborne was in a
    pleasant place, and wondering in what relation he stood towards
    her. Winterborne himself was unconscious of this. Occupied
    solely with the idea of having her in charge, he did not notice
    much with outward eye, neither observing how she was dressed, nor
    the effect of the picture they together composed in the landscape.

    Their conversation was in briefest phrase for some time, Grace
    being somewhat disconcerted, through not having understood till
    they were about to start that Giles was to be her sole conductor
    in place of her father. When they were in the open country he
    spoke.

    "Don't Brownley's farm-buildings look strange to you, now they
    have been moved bodily from the hollow where the old ones stood to
    the top of the hill?"

    She admitted that they did, though she should not have seen any
    difference in them if he had not pointed it out.

    "They had a good crop of bitter-sweets; they couldn't grind them
    all" (nodding towards an orchard where some heaps of apples had
    been left lying ever since the ingathering).

    She said "Yes," but looking at another orchard.

    "Why, you are looking at John-apple-trees! You know bitter-sweets--
    you used to well enough!"

    "I am afraid I have forgotten, and it is getting too dark to
    distinguish."

    Winterborne did not continue. It seemed as if the knowledge and
    interest which had formerly moved Grace's mind had quite died away
    from her. He wondered whether the special attributes of his image
    in the past had evaporated like these other things.

    However that might be, the fact at present was merely this, that
    where he was seeing John-apples and farm-buildings she was
    beholding a far remoter scene--a scene no less innocent and
    simple, indeed, but much contrasting--a broad lawn in the
    fashionable suburb of a fast city, the evergreen leaves shining in

    the evening sun, amid which bounding girls, gracefully clad in
    artistic arrangements of blue, brown, red, black, and white, were
    playing at games, with laughter and chat, in all the pride of
    life, the notes of piano and harp trembling in the air from the
    open windows adjoining. Moreover, they were girls--and this was a
    fact which Grace Melbury's delicate femininity could not lose
    sight of--whose parents Giles would have addressed with a
    deferential Sir or Madam. Beside this visioned scene the homely
    farmsteads did not quite hold their own from her present twenty-
    year point of survey. For all his woodland
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