House Hunting as an Outdoor Amusement

Since Adam and Eve went hand in hand out of the gates of Paradise, the
world has travailed under an infinite succession of house-hunts. To-day
in every eligible suburb you may see New Adams and New Eves by the
score, with rusty keys and pink order-forms in hand, wandering still, in
search of the ideal home. To them it is anything but an amusement. Most
of these poor pilgrims look simply tired, some are argumentative in
addition, but all are disappointed, anxious, and unhappy, their hands
dirty with prying among cisterns, and their garments soiled from cellar
walls. All, in the exaltation of the wooing days, saw at least the
indistinct reflection of the perfect house, but now the Quest is
irrevocably in hand they seek and do not find. And such a momentous
question it is to them. Are they not choosing the background, the air
and the colour, as it were, of the next three or four years, the
cardinal years, too! of their lives?

Perhaps the exquisite exasperation of the business for the man who hunts
among empty houses for a home is, that it is so entirely a choice of
second-hand, or at least ready-made goods. To me, at least, there is a
decided suggestion of the dead body in your empty house that has once
been occupied. Here, like pale ghosts upon the wall paper, are outlined
the pictures of the departed tenant; here are the nails of the invisible
curtains, this dent in the wall is all that is sensible of a vanished
piano. I could fancy all these things creeping back to visibility as the
light grew dim. Someone was irritable in the house, perhaps, and a
haunting fragrance of departed quarrels is to be found in the loose
door-handles, and the broken bell-pull. Then the blind in the bedroom
has a broken string. He was a beer-drinker, for the drip of the tap has
left its mark in the cellar; a careless man, for this wall is a record
of burst water-pipes; and rough in his methods, as his emendation of the
garden gate--a remedy rather worse than the disease--shows. The mark of
this prepotent previous man is left on the house from cellar to attic.
It is his house really, not mine. And against these haunting
individualities set the horrible wholesale flavour, the obvious
dexterous builder's economies of a new house. Yet, whatever your
repulsion may be, the end is always the same. After you have asked for
your ideal house a hundred times or so you begin to see you do not get
it. You go the way of your kind. All houses are taken in despair.

But such disgusts as this are for the man who really aims at taking a
house. The artist house-hunter knows better than that. He hunts for the
hunt's sake, and does not mar his work with a purpose. Then
house-hunting becomes a really delightful employment, and one strangely