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    For Freedom of Spelling - Page 2

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    revelation; there
    was no grammatical Sinai, with a dictionary instead of tables of stone.
    Indeed, we do not even know certainly when correct spelling began, which
    word in the language was first spelt the right way, and by whom. Correct
    spelling may have been evolved, or it may be the creation of some master
    mind. Its inventor, if it had an inventor, is absolutely forgotten.
    Thomas Cobbett would have invented it, but that he was born more than
    two centuries too late, poor man. All that we certainly know is that,
    contemporaneously with the rise of extreme Puritanism, the belief in
    orthography first spread among Elizabethan printers, and with the
    Hanoverian succession the new doctrine possessed the whole length and
    breadth of the land. At that time the world passed through what
    extension lecturers call, for no particular reason, the classical epoch.
    Nature--as, indeed, all the literature manuals testify--was in the
    remotest background then of human thought. The human mind, in a mood of
    the severest logic, brought everything to the touchstone of an orderly
    reason; the conception of "correctness" dominated all mortal affairs.
    For instance, one's natural hair with its vagaries of rat's tails,
    duck's tails, errant curls, and baldness, gave place to an orderly wig,
    or was at least decently powdered. The hoop remedied the deficiencies of
    the feminine form, and the gardener clipped his yews into
    respectability. All poetry was written to one measure in those days, and
    a Royal Academy with a lady member was inaugurated that art might become
    at least decent. Dictionaries began. The crowning glory of Hanoverian
    literature was a Great Lexicographer.

    In those days it was believed that the spelling of every English word
    had been settled for all time. Thence to the present day, though the
    severities then inaugurated, so far as metre and artistic composition
    are concerned, been generously relaxed--though we have had a Whistler, a
    Walt Whitman, and a Wagner--the rigours of spelling have continued
    unabated. There is just one right way of spelling, and all others are
    held to be not simply inelegant or undesirable, but wrong; and
    unorthodox spelling, like original morality, goes hand in hand with
    shame.

    Yet even at the risk of shocking the religious convictions of some, may
    not one ask whether spelling is in truth a matter of right and wrong at
    all? Might it not rather be an art? It is too much to advocate the
    indiscriminate sacking of the alphabet, but yet it seems plausible that
    there is a happy medium between a reckless debauch of errant letters and
    our present dead rigidity. For some words at anyrate may there not be
    sometimes one way of spelling a little happier, sometimes another? We do
    something of this
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