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    The Pleasure of Quarrelling

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    Your cultivated man is apt to pity the respectable poor, on the score of
    their lack of small excitements, and even in the excess of his generous
    sympathy to go a Toynbee-Halling in their cause. And Sir Walter Besant
    once wrote a book about Hoxton, saying, among other things, how
    monotonous life was there. That is your modern fallacy respecting the
    lower middle class. One might multiply instances. The tenor of the pity
    is always the same.

    "No music," says the cultivated man, "no pictures, no books to read nor
    leisure to read in. How can they pass their lives?"

    The answer is simple enough, as Emily Brontë knew. They quarrel. And an
    excellent way of passing the time it is; so excellent, indeed, that the
    pity were better inverted. But we all lack the knowledge of our chiefest
    needs. In the first place, and mainly, it is hygienic to quarrel, it
    disengages floods of nervous energy, the pulse quickens, the breathing
    is accelerated, the digestion improved. Then it sets one's stagnant
    brains astir and quickens the imagination; it clears the mind of
    vapours, as thunder clears the air. And, finally, it is a natural
    function of the body. In his natural state man is always quarrelling--by
    instinct. Not to quarrel is indeed one of the vices of our civilisation,
    one of the reasons why we are neurotic and anæmic, and all these things.
    And, at last, our enfeebled palates have even lost the capacity for
    enjoying a "jolly good row."

    There can be no more melancholy sight in the world than that of your
    young man or young woman suffering from suppressed pugnacity. Up to the
    end of the school years it was well with them; they had ample scope for
    this wholesome commerce, the neat give and take of offence. In the
    family circle, too, there are still plentiful chances of acquiring the
    taste. Then, suddenly, they must be gentle and considerate, and all the
    rest of it. A wholesome shindy, so soon as toga and long skirts arrive,
    is looked upon as positively wrong; even the dear old institution of the
    "cut" is falling into disrepute. The quarrelling is all forced back into
    the system, as it were; it poisons the blood. This is why our literature
    grows sinister and bitter, and our daughters yearn after this and that,

    write odd books, and ride about on bicycles in remarkable clothes. They
    have shut down the safety valve, they suffer from the present lamentable
    increase of gentleness. They must find some outlet, or perish. If they
    could only put their arms akimbo and tell each other a piece of their
    minds for a little, in the ancient way, there can be not the slightest
    doubt that much of this _fin-de-siècle_ unwholesomeness would disappear.

    Possibly this fashion of
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