Chapter 5 - Page 2

oak-carved and sumptuous with gilding
--with a small table in the centre, and rosy lights and flowers, and
Ralph Marvell, across the hot-house grapes and champagne, leaning to
take a light from his hostess's cigarette. Undine had seen such scenes
on the stage, she had come upon them in the glowing pages of fiction,
and it seemed to her that every detail was before her now, from the
glitter of jewels on Mrs. Van Degen's bare shoulders to the way young
Marvell stroked his slight blond moustache while he smiled and listened.

Undine blushed with anger at her own simplicity in fancying that he had
been "taken" by her--that she could ever really count among these happy
self-absorbed people! They all had their friends, their ties, their
delightful crowding obligations: why should they make room for an
intruder in a circle so packed with the initiated?

As her imagination developed the details of the scene in the Van Degen
dining-room it became clear to her that fashionable society was
horribly immoral and that she could never really be happy in such a
poisoned atmosphere. She remembered that an eminent divine was preaching
a series of sermons against Social Corruption, and she determined to go
and hear him on the following Sunday.

This train of thought was interrupted by the feeling that she was being
intently observed from the neighbouring box. She turned around with a
feint of speaking to Mrs. Lipscomb, and met the bulging stare of Peter
Van Degen. He was standing behind the lady of the eye-glass, who had
replaced her tortoise-shell implement by one of closely-set brilliants,
which, at word from her companion, she critically bent on Undine.

"No--I don't remember," she said; and the girl reddened, divining
herself unidentified after this protracted scrutiny.

But there was no doubt as to young Van Degen's remembering her. She was
even conscious that he was trying to provoke in her some reciprocal sign
of recognition; and the attempt drove her to the haughty study of her
programme.

"Why, there's Mr. Popple over there!" exclaimed Mabel Lipscomb, making
large signs across the house with fan and play-bill.

Undine had already become aware that Mabel, planted, blond and brimming,
too near the edge of the box, was somehow out of scale and out of
drawing; and the freedom of her demonstrations increased the effect
of disproportion. No one else was wagging and waving in that way: a
gestureless mute telegraphy seemed to pass between the other boxes.
Still, Undine could not help following Mrs. Lipscomb's glance, and
there in fact was Claud Popple, taller and more dominant than ever, and
bending easily over what she felt must be the back of a brilliant woman.

He