Chapter I - Page 2
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"Information concerning the period previous to her coming to England. . . ." The words were an evocation. He saw her again as she had looked at their first meeting, the poor woman of genius with her long pale face and short-sighted eyes, softened a little by the grace of youth and inexperience, but so incapable even then of any hold upon the pulses. When she spoke, indeed, she was wonderful, more wonderful, perhaps, than when later, to Glennard's fancy at least, the conscious of memorable things uttered seemed to take from even her most intimate speech the perfect bloom of privacy. It was in those earliest days, if ever, that he had come near loving her; though even then his sentiment had lived only in the intervals of its expression. Later, when to be loved by her had been a state to touch any man's imagination, the physical reluctance had, inexplicably, so overborne the intellectual attraction, that the last years had been, to both of them, an agony of conflicting impulses. Even now, if, in turning over old papers, his hand lit on her letters, the touch filled him with inarticulate misery. . . .
"She had so few intimate friends . . . that letters will be of special value." So few intimate friends! For years she had had but one; one who in the last years had requited her wonderful pages, her tragic outpourings of love, humility, and pardon, with the scant phrases by which a man evades the vulgarest of sentimental importunities. He had been a brute in spite of himself, and sometimes, now that the remembrance of her face had faded, and only her voice and words remained with him, he chafed at his own inadequacy, his stupid inability to rise to the height of her passion. His egoism was not of a kind to mirror its complacency in the adventure. To have been loved by the most brilliant woman of her day, and to have been incapable of loving her, seemed to him, in looking back, the most derisive evidence of his limitations; and his remorseful tenderness for her memory was complicated with a sense of irritation against her for having given him once for all the measure of his emotional capacity. It was not often, however, that he thus probed the past. The public, in taking possession of Mrs. Aubyn, had eased his shoulders of their burden. There was something fatuous in an attitude of sentimental apology toward a memory already classic: to reproach one's self for not having loved Margaret Aubyn was a good deal like being disturbed by an inability to admire the Venus of Milo. From her cold niche of fame she looked down ironically enough on his self-flagellations. . . . It was only when he came on something that belonged to her that he felt a sudden renewal of the old feeling, the strange dual impulse that drew him to
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