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    Preface - Page 2

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    Ticket." Within a
    few years far more will be known of the past of Morocco, but that past
    will be far less visible to the traveller than it is to-day. Excavations
    will reveal fresh traces of Roman and Phenician occupation; the remote
    affinities between Copts and Berbers, between Bagdad and Fez, between
    Byzantine art and the architecture of the Souss, will be explored and
    elucidated, but, while these successive discoveries are being made, the
    strange survival of mediaeval life, of a life contemporary with the
    crusaders, with Saladin, even with the great days of the Caliphate of
    Bagdad, which now greets the astonished traveller, will gradually
    disappear, till at last even the mysterious autocthones of the Atlas
    will have folded their tents and silently stolen away.

    II

    Authoritative utterances on Morocco are not wanting for those who can
    read them in French, but they are to be found mainly in large and often
    inaccessible books, like M. Doutté's "En Tribu," the Marquis de
    Segonzac's remarkable explorations in the Atlas, or Foucauld's classic
    (but unobtainable) "Reconnaissance au Maroc", and few, if any, have been
    translated into English.

    M. Louis Châtelain has dealt with the Roman ruins of Volubilis and M.
    Tranchant de Lunel, M. Raymond Koechlin, M. Gaillard, M. Ricard, and
    many other French scholars, have written of Moslem architecture and art
    in articles published either in "France-Maroc," as introductions to
    catalogues of exhibitions, or in the reviews and daily papers. Pierre
    Loti and M. André Chevrillon have reflected, with the intensest visual
    sensibility, the romantic and ruinous Morocco of yesterday, and in the
    volumes of the "Conférences Marocaines," published by the French
    government, the experts gathered about the Resident-General have
    examined the industrial and agricultural Morocco of tomorrow. Lastly,
    one striking book sums up, with the clearness and consecutiveness of
    which French scholarship alone possesses the art, the chief things to be
    said on all these subjects, save that of art and archaeology. This is M.
    Augustin Bernard's volume, "Le Maroc," the one portable and compact yet
    full and informing book since Leo Africanus described the bazaars of

    Fez. But M. Augustin Bernard deals only with the ethnology, the social,
    religious and political history, and the physical properties, of the
    country; and this, though "a large order," leaves out the visual and
    picturesque side, except in so far as the book touches on the always
    picturesque life of the people.

    For the use, therefore, of the happy wanderers who may be planning a
    Moroccan journey, I have added to the record of my personal
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