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    Chapter 7 - Page 2

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    of older and richer societies.

    M. Saladin, in his "Manuel d'Architecture Musulmane," after attempting
    to unravel the influences which went to the making of the mosque of
    Kairouan, the walls of Marrakech, the Medersas of Fez--influences that
    lead him back to Chaldaean branch-huts, to the walls of Babylon and the
    embroideries of Coptic Egypt--somewhat despairingly sums up the result:
    "The principal elements contributed to Moslem art by the styles
    preceding it may be thus enumerated: from India, floral ornament; from
    Persia, the structural principles of the Acheminedes, and the Sassanian
    vault. Mesopotamia contributes a system of vaulting, incised ornament,
    and proportion; the Copts, ornamental detail in general; Egypt, mass
    and unbroken wall-spaces; Spain, construction and Romano-Iberian
    ornament; Africa, decorative detail and Romano-Berber traditions (with
    Byzantine influences in Persia); Asia Minor, a mixture of Byzantine and
    Persian characteristics."

    As with the art of North Africa, so with its supposedly indigenous
    population. The Berber dialects extend from the Lybian desert to
    Senegal. Their language was probably related to Coptic, itself related
    to the ancient Egyptian and the non-Semitic dialects of Abyssinia and
    Nubia. Yet philologists have discovered what appears to be a far-off
    link between the Berber and Semitic languages, and the Chleuhs of the
    Draa and the Souss, with their tall slim Egyptian-looking bodies and
    hooked noses, may have a strain of Semitic blood. M. Augustin Bernard,
    in speaking of the natives of North Africa, ends, much on the same note
    as M. Saladin in speaking of Moslem art: "In their blood are the
    sediments of many races, Phenician, Punic, Egyptian and Arab."

    They were not, like the Arabs, wholly nomadic; but the tent, the flock,
    the tribe always entered into their conception of life. M. Augustin
    Bernard has pointed out that, in North Africa, the sedentary and nomadic
    habit do not imply a permanent difference, but rather a temporary one of
    situation and opportunity. The sedentary Berbers are nomadic in certain
    conditions, and from the earliest times the invading nomad Berbers
    tended to become sedentary when they reached the rich plains north of

    the Atlas. But when they built cities it was as their ancestors and
    their neighbours pitched tents; and they destroyed or abandoned them as
    lightly as their desert forbears packed their camel-bags and moved to
    new pastures. Everywhere behind the bristling walls and rock-clamped
    towers of old Morocco lurks the shadowy spirit of instability. Every new
    Sultan builds himself a new house and lets his predecessors' palaces
    fall into decay, and as with the Sultan so with his vassals and
    officials.
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